The debate over whether or not Xbox should make Elder Scrolls VI exclusive or not isn't letting up, and the UK's BBC News recently turned up the heat.

Ahead of the next-gen Xbox Helix, many are wondering how Microsoft can maneuver here. Xbox's hardware fortunes have been strained to say the least, as Microsoft grapples with strategic mis-steps and an AI-induced memory shortage of epic proportions. The Xbox Series X|S is more expensive than ever, and Xbox Helix threatens to be even more so.

This year, Xbox will return to exclusive content to try and shore up interest in its hardware platform. As sales into its ecosystem collapsed, Microsoft hasn't been able to grow Xbox Game Pass or third-party sales as much as competitors. This year, Microsoft will ship Gears of War: E-Day exclusively on Xbox, after a few years of ditching exclusivity entirely to sell more content via PlayStation. The move dismembered the brand's identity arguably, and the lack of confidence planted a question mark over Microsoft's commitment to remain in the business all up.

On the topic of exclusivity, Xbox CEO Asha Sharma spoke to Laura Cress at the BBC about Elder Scrolls VI. Sharma noted, "every platform needs some form of exclusive experiences and content. We shared Gears [of War: E-Day] and Clockwork [Revolution]. We're going to do the best we can to continue to do that, all in the context of the business being healthy. We have to balance that."

Laura pressed Asha to discuss Elder Scrolls VI exclusivity, Asha smiled and replied "it's a beautiful game ..."

Indeed, Sharma has repeatedly cautioned the state of Xbox's expenditure. Microsoft has blown hundreds of millions on failed projects, such as Avalanche's open-world vehicular service game Contraband, which I'm told was a particularly expensive write-off for its publishing arm. Microsoft has also spun off a variety of studios like Undead Labs, Ninja Theory, and Double Fine, which also weren't able to ship quickly enough to even come close to meeting costs.

Some of Microsoft's pillar gaming franchises like Call of Duty have also seen a downturn in recent years, many of which have been subsidizing parts of the Xbox business that haven't performed as well. Call of Duty: Black Ops 7 failed to resonate with fans at the same clip as earlier games. Minecraft has also faced stiff competition from Roblox, and Candy Crush Saga has seen its user base chipped away by other casual games like Block Blast and Monopoly Go.

Elder Scrolls VI skipping PlayStation would be potentially putting hundreds of millions of dollars on the shelf in the short term — but keeping it multiplatform could also be just as risky in the long term.

Will Xbox blink?

For Elder Scrolls VI to be exclusive, Microsoft would have to view it as some form of "loss leader" specifically with boosting Xbox's own platforms in mind. It could be that there simply isn't enough opportunity to justify the risk in Microsoft's view.

In my view, Xbox Series X|S and Steam should be enough. For PlayStation and Nintendo, having a smaller addressable audience is worth it to ensure they don't hollow out their core platform. Asha Sharma has repeatedly emphasized the need to strengthen Xbox's core, as users who own multiple consoles increasingly defaulted away from Xbox due to a collapse in confidence in Microsoft's strategy.

Despite mass layoffs earlier in the summer, Xbox is enjoying some positive momentum with consumers right now. Huge marketing deals with Ikea and McDonalds just dropped, for example, and Microsoft's X20 anniversary celebrations are in full swing. Xbox also just announced a disc-to-digital game preservation program which is a direct shot at PlayStation, who is enduring widespread anger from its vocal decision to end support for physical media. If there was ever a time for Microsoft to double down on Xbox, it's probably right now.

I feel like people will show up on other platforms to buy Elder Scrolls VI if it's good enough, whether that's PCs people already own, Xbox Cloud Gaming, or perhaps even buying an Xbox Helix or Series X|S as a companion console. The goal should be getting users into Xbox's ecosystem, creating a flywheel for third-party developers, and Xbox Game Pass subscriptions — the latter of which will never be allowed on Nintendo or PlayStation.

Whether or not Xbox is willing to give Elder Scrolls VI some form of exclusivity will be a sign post for how much faith Microsoft has in its gaming brand in my view. I think Sharma's refusal to commit either way suggests Xbox is still in deep debates and analysis about which way to go ...

The Xbox platform would benefit immeasurably from a longer term commitment to highly visible exclusives, but Microsoft of 2026 revolves around short-term thinking and quarterly returns for shareholders. What might be best for Xbox third-party developers and customers is probably in direct opposition to what is best for shareholders, unfortunately.

Time will tell.

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In addition to a plethora of new AAA Xbox games revealed at Gamescom 2026, there were just as many indie titles unveiled, aiming to innovate the medium in ways never seen before in terms of gameplay and artistry.

One such indie title that caught my eye was a survival horror game called Holstin, which is set to launch in 2027 for Xbox Series X|S, Xbox on PC, Xbox Cloud Gaming, and Xbox Game Pass (Day One), with Xbox Play Anywhere support, along with PC via Steam and GOG, Nintendo Switch, and PlayStation 5.

Holstin also has a free playable demo available right now on its Steam page.

In this game, you have come to a small eastern Polish town called Jeziorne-Kolonia in search of your missing friend Bartek, whose trail was last seen there.

Unfortunately, Jeziorne-Kolonia has been possessed by a demonic force that is turning the buildings into pus-filled flesh and its inhabitants into disgusting, mindless abominations that attack anything in sight.

To survive, you will need to scavenge for supplies, solve mind-bending puzzles, seek information from the few sane locals left in the town, and find guns to defend yourself with before the horrors of this town eat you alive.

What makes Holstin stand out from the crowd is its 1990s Polish setting, an absolutely gorgeous and grim pixel art style that seamlessly blends 2D and 3D graphics, and most of all, the ability to change top-down and third-person perspectives during gameplay.

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Resident Evil 9 sort of tried this with the alternating first-person and third-person perspectives, but Holstin takes it a step further by letting the player switch perspectives at the push of a button instead of having to fiddle around with in-game menus.

This creates a dynamic system where one moment you will be exploring decrepit city streets from a top-down perspective, switch to a third-person perspective to shoot guns at monsters, then flip back to the top-down perspective so you can have a better view of where to safely dodge an attack without getting stuck in the environment.

Windows Central's take

I'm not normally a fan of survival horror games, as I suck at ammo and medkit conservation, but Holstin has me intrigued with its sublime pixel-art design, grotesque creatures, and interesting gameplay mechanics.

If you enjoy scaring yourself on the go with retro-style horror games with Xbox Play Anywhere like the critically-acclaimed Signalis, you will want to keep an eye out for this title when it drops in 2027, as it could be a potential ID@Xbox sleeper hit.

Or you could find out now for yourself if it's up your dark alley by its demo on Steam.

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During Gamescom 2026 Opening Night Live, we got a new trailer for the popular Diablo-like ARPG, Path of Exile 2, showcasing a new Duelist class and the long-awaited addition of the Sword weapon type (which has been absent since the game's early access launch on December 4, 2024).

The trailer also confirmed that the game will be leaving early access and launch its full 1.0 version that's free-to-play on December 11, 2026, for Xbox Series X|S, PlayStation 5, and PC via Steam.

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Then, a day afterwards, Path of Exile 2's developer/publisher, Grinding Gear Games, released an extended gameplay overview video.

It covered the many insane abilities of the Duelist class and Sword weapon, what kind of endgame builds you can make with them, and a new 'Forbidden Rites' Event League to keep players busy until the release of the game's 1.0 launch.

Here's everything you need to know about the Duelist class coming soon to Path of Exile 2.

The Duelist is a melee-focused class designed to cleave enemies with one-handed or two-handed swords through a series of lightning-fast slashes and parry incoming attacks to catch enemies off guard.

The Duelist's main game plan revolves around slicing enemies with basic attacks while transitioning into combat stances to perform modified versions of your attacks with area-of-effect or status effects like Bleed to drain enemies' life away.

Other notable abilities include creating sand discs to cleave groups of enemies, sand drills to pierce single targets, blasting blood waves to bleed enemies to death, dash attacks to close distances, summoning swords out of the ground that explode, augmenting your attacks with electricity, turning your two-handed sword into a giant greatsword that can split the earth in two, and much more.

When combining these abilities, the Duelist can become a literal whirlwind of destruction as they decimate hordes of enemies with sand discs before beheading bosses with a magically-empowered greatsword the size of a car, and that's just its basic gameplay loop.

Once you start acquiring endgame gear and abilities for the Duelist class, they can turn entire rooms into meat grinders where not even the toughest enemies will survive being melted by non-stop sand discs, exploding swords, bleed effects, lightning bolts, and other insane abilities, as demonstrated in the gameplay overview video.

What's more is that all this carnage and mayhem can be done with just the base Duelist class alone, before being upgraded into its Ascendancy subclasses, of which the Duelist will have two.

However, details on the Duelist's Ascendancy subclasses will be revealed at Exile Con on November 7, 2026.

Windows Central's take

I tried Path of Exile 2 a couple of times last year, but I could never seem to get into it for long before moving on to something else. However, with the addition of the Duelist class and Sword weapon type, my interest in the game has been renewed because they look so dang cool.

The classic sword & shield playstyle has always been my favorite in action-RPGs, and Path of Exile 2's take on it looks nuts, what with being able to shower the screen with exploding swords, parrying boss attacks to stagger them, and briefly channelling Cloud Strife from Final Fantasy VII by cleaving enemies with a Buster Sword-sized Greatsword.

If this is what the base form of Duelist can do, then I can't imagine how destructive the class will get when it unlocks its Ascendancy subclasses, one of which looks to be a Paladin subclass.

In short, this game is now on my wishlist, and I can't wait to play the full version of Path of Exile 2 when it launches on December 11, 2026.

In the meantime, Path of Exile 2 will keep fans busy with a new 'Forbidden Rites' Event League starting on September 4, 2026, which will feature eight new challenges, exclusive rewards, a major overhaul to the Trial of Chaos, and many more changes to endgame systems.

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Today was supposed to be an opportunity for "fans" to get a chance to pre-order the new, limited edition Xbox Series X25. Yet it's questionable as to how many genuine fans may have actually got their hands on one.

Reddit is filled with bad experiences, people talking about having a console in their cart and it was gone before they could check out. That stock evaporated in "milliseconds."

And yet almost instantly they were cropping up on eBay. The highest listing I saw was for a ridiculous THREE THOUSAND DOLLARS.

To its credit, eBay seems to be taking action and shutting these listings down, as three I've already seen have been ended due to the "item no longer being available", not "sold". It was never available in the first place, and frankly, handing over thousands on a promise of getting a thing in the future is the dumbest idea anyway.

Obviously this is a limited edition, with each console uniquely numbered, and was always going to be in hot demand. But while eBay might be taking listings down, more are popping up across the globe.

Scalpers are going to scalp. They're not going to cancel their order, and they're going to try somehow to move it on for a premium price. It's the Pokémon card fiasco all over again.

My advice is clear: Do not buy a console from a scalper. In fact, if you can't get one directly from a retailer, don't buy one unless you actually see it and can pick it up with your bare hands. These people have no morals; don't hand over your money and trust that you'll actually even get the thing.

I was never going to try and get one myself, as I don't have a spare $899 to throw at a console I already have in a different body. But scalpers really make me angry. It's a constant battle in trading card collecting, especially. There's reselling and then there's just existing to rip people off by using your bots to scoop up stock from legitimate buyers.

Anyway, rant over. If you did manage to secure an Xbox Series X25 let us know in the comments. Unless you're a scalper.

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Physical media is present in the news cycle quite a bit of late, what with the latest news from Xbox about its disc-to-digital program. Then there's PlayStation's double whammy of removing digital content from libraries and then announcing it will be stopping new game discs from 2028.

The move to all-digital has been on the cards for some time, and PC gamers have already long embraced that future. But in a bizarre twist of fate, it seems some are reversing this process and actually starting to make their own physical copies of digital PC games.

I stumbled across a YouTube video by Archades Games (which is embedded below) that's been up for many months, but nevertheless, its subject matter made me click. On PC there's quite often a way where there's a will, and with GOG especially, it's actually pretty easy to create your own physical installer for your game library.

Of course, it requires having the necessary hardware to do it, and Blu-ray drives (like everything else) have been getting more expensive in recent years. But if you have a drive and some discs, there's little else to stop you.

There's a wider discussion that is ongoing regarding game preservation and generally good data backup habits. But in this specific instance, GOG will offer DRM-free offline installers, and the right Blu-ray discs can last at least your own lifetime, and potentially many more besides.

The process itself seems pretty straightforward, though the video and a follow-up, which goes into more depth, including multi-disc scenarios, walk you through every step. Multi-disc is certainly something you'd need for Cyberpunk 2077.

Essentially you need a Blu-ray or DVD drive capable of writing to discs, the right discs, a copy of MakeMKV (which, as the site is currently offline, you'll have to grab from an archived version of the page), and ImgBurn to both create an ISO file and burn it to the disc.

Archades Games goes one step further and even creates a nice-looking label for the discs, just to add a finishing touch. Though that's entirely optional.

You can also write your own autorun file to add to the disc so that when you insert it into a PC, it will immediately open up the installer. Just like in the old days when you'd buy a big box PC game.

I haven't tried this yet, and I'm not necessarily sure I will. But recent events have certainly made me start to think about "ownership." I don't own anything in my Steam library; I don't own any of the digital movies I've bought over the years from Apple, Google, and Amazon. Long-term rentals are only fine as long as the rights holders say so.

I've been buying up physical copies of movies I only have digitally on Blu-ray and creating a digital copy of those Blu-rays to store on my NAS. I'm not suggesting it's practical to create a full library of PC games on disc, and in many cases, you can't get new releases on GOG or anywhere else with an offline installer.

But preservation is something we should all care about. I've thought more and more about it as my children are growing up and I'm able to enjoy content with them. My son is absolutely loving being able to play games on Xbox from before he was born, and much of that is thanks to backwards compatibility.

But we also have an Xbox 360 running every day right now, with physical copies of games that we can use for as long as the disc lasts.

The idea of "cold storing" important data on Blu-ray discs is something I've been toying with, too. With the right discs, such as M-Discs designed for archiving, that data can be preserved for centuries. So long as you have a way in the future of actually reading them, of course.

It might be a fun project for game installers, but for treasured memories, photo libraries, and things that are irreplaceable, having a copy that could stand the test of time is looking more important. Good backup processes are something we should all be doing.

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One of the more unsung announcements from this year's Gamescom that has me personally excited is that Shadow of the Road, an upcoming CRPG published by Owlcat Games of Warhammer 40,000: Rogue Trader fame, has revealed that it's releasing on November 12, 2026, for PC via Steam, Epic Games Store, and GOG.

This game has you command a group of ex-samurai and Shogun retainers traveling with a child gifted with mysterious powers, his mother, and their massive bodyguard on a quest to put an end to a bloody civil war that's tearing Japan apart.

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Shadow of the Road will have you explore a gritty, alternative history version of Japan in 1868 where Steampunk technology reigns supreme, manage a team of powerful warriors in intense tactical turn-based battles, make tough dialogue choices that will determine the course of the story and your party's friendships, and obtain the dark power of being able to transform into horrifying yōkai in battle.

I previewed Shadow of the Road's alpha test back in 2025, and I was rather enthralled by its Japanese setting, in-depth turn-based combat, and unique take on dialogue choices in RPGs, as it allowed the entire party, not just the main character, to have dialogue options during conversations based on who the player wants to speak first.

So I can't wait to finally play the full version when Shadow of the Road launches on PC this November.

Although I'm sad that there's no word of Shadow of the Road releasing on Xbox anytime soon, as this game would be cool to play on Xbox Ally via Xbox Play Anywhere, like Warhammer 40,000: Rogue Trader was.

But who knows? If this game does well on PC, maybe it will release on consoles at some point later? Only time will tell the answer.

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Fable is not skimping out on any details at this year's Gamescom, as it provided a metric ton of new gameplay information through an 18-minute gameplay demo, accompanied by a gameplay preview write-up at Xbox Wire.

There's a lot to unpack here, so let's not waste any more time and get into the nitty-gritty of what Playground Games has in store for this highly anticipated reboot of the Fable series.

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The demo begins with a recap of Fable's life-sim elements, where you can mingle with NPCs to potentially start a family, buy a home, or start a business. The player then sets off on a quest to save their grandma and village, which have been turned to stone by the mysterious hero-turned-villain, Isabel.

Throughout the demo, we see the player engaging in dialogue choices that determine how NPCs feel towards them, some funny cinematics that play off like a fantasy version of the iconic sitcom, 'The Office', exploring the city, developing skills in the skill tree, and most of all, beating the stuffing out of bandits with the game's combat system.

Judging from the footage shown in the Gamescom demo and from Xbox Wire's preview write-up, this game's combat system is shaping up to be the most in-depth one any Fable title has had to date.

You can parry and dodge enemy attacks, blast enemies off of cliffs using fireballs, catch incoming arrows and throw them back at enemies, trip or knock weapons out of enemies' hands using bows and crossbows, stun enemies by filling their stagger gauge before performing melee finishers on them, turn enemies into chickens using magic, and so much more.

And all this is done without messing about in menus or loadout bars, so you can focus on the action intuitively without immersion-breaking menu micromanagement.

You will need to master this evolved take on Fable's combat quickly, as you will contend with more dangerous foes than bandits throughout the game, including reanimated skeletons, wraiths, Cockatrices, and tough mini-bosses like the ghostly Lantern Keeper, to name a few.

Windows Central's take

I admit it's been a LONG time since I played the original Fable from 2004, but I do remember combat not being the most in-depth thing in the world, as it mainly amounted to whacking enemies once, moving back to shoot fireballs, rinse and repeat.

So to go from that to this new Fable where we're catching arrows to throw them back in enemies' faces, parrying attacks Sekiro-style, and blasting enemies with magic doesn't take forever to cast anymore is a massive improvement.

If Playground Games can continue polishing this promising combat system to be more speedy and perhaps show off more destructive spells, Fable could be a massive shoo-in for a 2027 Game of the Year contender.

We will have to wait to find out if the combat system, as well as its other gameplay aspects, live up to the hype when Fable launches on February 23, 2027, on Xbox Series X|S (with Xbox Play Anywhere support), Xbox on PC, Xbox Cloud Gaming, Xbox Game Pass (Day One), PlayStation 5, and Steam.

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Perhaps one of the biggest challenges facing Xbox CEO Asha Sharma is what exactly to do with Halo.

Halo used to be synonymous with Xbox. It was to Xbox what Mario is to Nintendo, but after years of painful mismanagement, corporate inertia, and hundreds of millions of dollars ... Halo is arguably at its lowest point ever.

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Halo Campaign Evolved arguably didn't resonate as well as it perhaps should've done. Selling yet another re-master of the original Halo game, albeit this time without even competitive multiplayer, doesn't seem to have been a hugely worthwhile endeavour. You could even argue it did more harm than good to Xbox, given the fact Microsoft released it on PlayStation too, but that's just my opinion.

What is perhaps less of an opinion is that Halo has absolutely mountains of untapped potential. It's a known quantity, the fanbase is clamouring for a new high-quality Halo game, and the transmedia opportunities are painfully clear. It's always been about execution.

Perhaps the answer to getting Halo back towards firing on all cylinders again is looking towards the alumni who made it great in the first place. Co-creators of the original games such as Joseph Staten have been reminiscing about the game lately, with Staten wondering what more Halo ODST-like spin-offs and expansions might look like.

"I often think about what it would have been like if we’d kept building on Halo 3 with ODST-like expansions — new stories, innovative mechanics, etc. Would have been great fun."

There has been a lot of rumors and conjecture about what it's like working at Halo Studios right now, with some arguing that Microsoft and Xbox leadership isn't running it all too well.

Others have suggested Halo's slide is frustrated by its location, or Microsoft's creativity-stifling corporatism. Many others have expressed hopes that maybe some OG Bungie or 343i alumni could return to the franchise, such as Marcus Lehto.

I really enjoyed Halo Wars 2, and Halo Infinite's campaign gameplay was decently fun, but there was always this sense of untapped potential across the franchise. Many of Halo Infinite's story beats connecting it to Halo 5 were shunted into books and out of the game, as 343i repeatedly reworked story beats only to subsequently abandon them and leave them unfinished. And let's not discuss the disastrous Halo TV show on Paramount.

With Gears of War, Fable, and Forza enjoying an incredibly strong showing throughout Gamescom and this year in general — Halo has oddly become the runt of the litter, which is an absolutely wild thing to say.

What would you like to see Asha Sharma do with the Halo franchise? Is it worth saving? Can it be saved? Would you like to see Joseph Staten return to lead? Let me know your thoughts.

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The next-gen Xbox Helix is gradually appearing on the horizon, but there's very big question marks over how it will actually show up.

Microsoft's attempts to disrupt the gaming industry ended mostly with it disrupting itself, harming its own Xbox console business as well as third-party developers in its ecosystem. As Xbox's hardware footprint has shrank due to poor marketing and lack of exclusive games, so too has its relevancy on the general gaming stage. The turmoil has been turbo charged by the AI-driven RAMpocalypse, which has seen consumer electronics prices soar due to RAM shortages.

New CEO Asha Sharma has been tasked with reviving Xbox's gaming fortunes, starting by bringing back exclusive games (including the amazing-looking Gears of War: E-Day), and delivering a barrage of fan-requested features.

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Fans are increasingly wondering how Xbox will respond to PlayStation's own PR nightmare right now. PlayStation inexplicably announced a gradual phase out of disc-based games on its platform, with discs going away entirely by 2028. Microsoft has moved in the opposite direction, revealing today that Xbox discs will now grant digital entitlements for gamers in that ecosystem, including Xbox Cloud Gaming access and Xbox Play Anywhere.

In conversations with BBC reporter Laura Cress, Xbox CEO Asha Sharma acknowledged the backlash to Sony's physical phase out.

"I know players love physical media, and I know there's a lot of benefits in digital media, and I want to make sure people have a choice," Sharma said. "There are stacks of games on everybody's shelves. We're announcing the ability for players for 1,000 titles with physical discs to be able to have a digital entitlement."

"We've long pioneered backwards compatibility and so you'll continue to see that as we go forward in the generations. This next generation, we have to be thinking about efficiency and affordability alongside performance."

Will Xbox give disc-loving gamers the lifeline PlayStation won't?

Speaking to my own Xbox hardware sources, I was told that it's less about the discs themselves and more about the supply chain around optical disc drives collapsing. Factories and assembly lines previously oriented around making optical disc drives are moving towards other, more lucrative and more scalable industries, such as camera lenses and the like. Demand for optical disc drives revolves entirely around Xbox Series X and PlayStation 5 right now, with laptops, Blu-Ray devices, and other formats essentially phasing out the tech.

Consumers opted overwhelming for digital-only in the last few years, although the downsides are becoming increasingly apparent. The lack of rights consumers have over digital content has come into focus, as licenses can be revoked remotely at any time potentially. At least with a physical game or Blu-ray movie, it's definitively yours in perpetuity.

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It's ironic perhaps given the revival of vinyl records in recent years, as more of us seek ownership and hobby-oriented collecting. Digital games, books, and movies don't create the same sense of participation, and lending games and sharing content with families is obviously much harder generally speaking when the content is tied to a specific account.

Xbox doesn't have strong family-sharing systems like Steam yet, nor does it come with the ability to re-sell digital games as some have called for. There's also no legislation in place to refund users when digital games are sunset or revoked.

It'll be interesting to see how Microsoft and the next-gen Xbox Helix navigates this impending reality for optical disc drive manufacturing, given the widespread backlash to PlayStation's vocal policies on it.

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The Division 2 is one of my favorite games for a number of reasons. One of those is how it's been treated by Ubisoft, a company that faces its fair share of well-founded criticism.

The original plan would have seen new content end long ago, but it was so popular with such a dedicated community that it's still here today. There's an absurd amount of content in this game, and now we're getting another DLC expansion.

Following on from last year's Battle for Brooklyn, which took us literally back to where it all began in the first game, we're now going to a previously unseen part of New York City in "Echoes of Central Park."

One of the city's most iconic locations hasn't been part of The Division to this point, but it will be the central focus in the next expansion, announced for the first time as part of a Ubisoft The Division 2 panel at Gamescom in Cologne.

Naturally there will be an expanded story with new missions, but we're being promised something a little different this time around.

The summary that's been shared with me prior to the panel certainly gets my attention. With this new location we're promised that the Upper West Side is petrified with fear, and that fear is going to be an underlying element that our Agents will be dealing with in this expansion.

That's particularly interesting because all through The Division franchise, Agents have felt like superheroes. Equipped with wild tech and insane weapons to take down the worst that the post-Dollar Flu apocalyptic world has to offer.

That fear itself is going to be an enemy is a different approach. Echoes of Central Park, we're told, is going to follow a darker tone to previous content in the franchise, with horror themes taking us down a very different path.

It'll start in a familiar manner; Division Agents will receive a distress call from inside Central Park and will be dispatched to answer it with no idea what's there or what's been happening since the outbreak.

Other tidbits include a warning that we'll have to prepare and untangle the mysteries before finally finding out what lies within the park. Mysterious indeed.

Ubisoft also says that Echoes of Central Park isn't just another story expansion. They really wanted to focus on the gameplay, and it certainly sounds like it'll be something a little different to what we're used to.

A full reveal of Echoes of Central Park is slated for a special presentation on September 24, where we'll also get our first look at the new map and gameplay. Given what happened so far in New York City across the two games in the series, I always assumed Central Park would have been turned into some kind of mass grave, but I guess I'm wrong on that.

Bring on September 24.

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Gamescom continues to steamroll ahead with tons of more exciting game announcements, this time with the Future Games Show showcase, which has just recently concluded after kicking off on August 26, 2026, at 10:00 am PDT / 1:00 pm EDT / 6:00 pm BST.

This event featured new gameplay trailers, deep dives, and developer interviews on over 40 Xbox and PC titles, along with revealing 13 brand new games.

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With so many games getting the spotlight, we've rounded up all the biggest announcements from the event as they go live in one convenient place to save you the trouble of finding and remembering them yourself.

Where and how you can watch Future Games Show at Gamescom 2026

To watch Future Games Show at Gamescom live or rewatch its VOD if you couldn't make it, you will have to tune into the Future Games Show's YouTube, Twitch, X, and Steam platforms.

All Xbox and PC games shown at the Future Games Show at Gamescom 2026

This is where we have compiled all the major game announcements from the Future Games Show at Gamescom 2026, with links to their trailers and short descriptions of their premises, release dates, platforms, and more.

Worms: Galactic Tactics

The show kicks off with a new trailer for Worms: Galactic Tactics, a turn-based tactical spin on the classic Worms franchise with roguelike elements where you'll be blasting enemy worms to kingdom come with rocket launchers, bombs, and explosive sheep, to name a few.

Worms: Galactic Tactics will be releasing in 2027 for Xbox Series X|S, PlayStation 5, Nintendo Switch 1/2, and PC via Steam.

Onimusha: Way of the Sword

Capcom makes an appearance to show off a new cinematic trailer for Onimusha: Way of the Sword, an upcoming action game where you travel the land of Japan to rid Kyoto of the evil demons known as Genma.

Onimusha: Way of the Sword is scheduled for September 4, 2026, for Xbox Series X|S, PlayStation 5, Nintendo Switch 2, and PC via Steam and the Epic Games Store.

The Walking Dead: Streets of Survival

The Walking Dead: Streets of Survival is a side-scrolling beat 'em up in the grim universe of The Walking Dead franchise, but with a Streets of Rage-style twist.

Your goal is to play as one of the iconic survivors of the franchise like Rick Grimes, Daryl Dixon, Michonne, and Negan, and beat the undead snot out of any zombie standing in your way.

Walking Dead: Streets of Survival is set to launch on September 18, 2026, for Xbox Series X|S, PlayStation 5, Nintendo Switch 2, and PC via Steam and the Epic Games Store.

Dioxide

Dioxide is an upcoming tactical FPS with Soulslike elements where you are tasked with forging the last sanctuary for humanity in a dying, dystopian plagued by industrial decay, and infested with ravenous beasts and maniacs.

Dioxide is scheduled to release sometime in the future on PC via Steam.

Wolcen 2

Wolcen 2 is an upcoming ARPG set in a dark fantasy world where you must fight to survive being destroyed by hordes of monsters, giant spiders, and other evil creatures of the night.

Wolcen 2 is scheduled to release into early access during 2027 for PC via Steam.

Serious Sam: Shatterverse

Serious Sam: Shatterverse is an upcoming roguelite FPS where you play as multiple alternate versions of the iconic Serious Sam and blast your way across the multiverse in chaotic shootouts solo or with friends in 5-player co-op.

Serious Sam: Shatterverse is scheduled to release on August 31, 2026, for Xbox Series X|S, PlayStation 5, and PC via Steam.

SPINE - This is Gun Fu

SPINE - This is Gun Fu, is an upcoming cyberpunk action game where you play as a rebellious street artist named Redline searching for her brother, who's been captured by a tyrannical AI regime.

Together with your sentient combat implant named Spine, you will shoot and kick your way through bad guys in over-the-top battles using a unique combat system that makes you feel like you're living in a gun-fu martial arts movie.

SPINE - This is Gun Fu is set to launch in 2027 for Xbox Series X|S, PlayStation 5, and PC via Steam.

STAR WARS: Galactic Racer

STAR WARS: Galactic Racer is an upcoming racing game set in the Star Wars universe, and the developers stopped by with an interview trailer to talk about the game's systems, vehicles, and more.

STAR WARS: Galactic Racer is set to launch on October 6, 2026, for Xbox Series X|S, PlayStation 5, and PC via Steam and the Epic Games Store.

Alkimya: House of Wisdom

Alkimya: House of Wisdom is an upcoming survival horror game set in Baghdad, 1258, where you must explore the titular library for an elixir to save your dying daughter while avoiding being murdered by Mongolian invaders and eldritch horrors.

Alkimya: House of Wisdom is set to release sometime in the future for PlayStation 5, and PC via Steam and the Epic Games Store.

Hieronymus 

Hieronymus is an FPS set within a world inspired by the surreal and terrifying artworks of the famous painter Hieronymus Bosch. As the young Helena van Aken, you must master the art of alchemy, magic, and combat if you hope to survive encountering the bizarre creatures and horrors of this world as you uncover your family's darkest secrets.

Hieronymus is set to release sometime in the future for PC via Steam.

Moonlighter 2: The Endless Vault

Moonlighter 2: The Endless Vault is an upcoming action-RPG where you explore dungeons for ancient treasure and sell it off to help your shop prosper while helping out your local community.

The game leaves early access on September 2, 2026, and will launch on Xbox Series X|S, Xbox Game Pass, PC Game Pass, PlayStation 5, Nintendo Switch 2, and PC via Steam and Windows.

Sword Sage: Awakening

Sword Sage: Awakening is an upcoming hack-and-slash set in a world inspired by Chinese mythology. In this game, you are tasked with mastering a diverse combat system to fight ancient evil monstrosities let loose by a mistake made by your ancestors a thousand years ago.

Sword Sage: Awakening is set to release sometime in the future for Xbox Series X|S, PlayStation 5, and PC via Steam.

Tides of Annihilation

Tides of Annihilation is an upcoming action-adventure where you must embark on a dangerous quest to restore a fractured London to its original form after otherworldly invaders destroyed it.

The Future Games Show gives us a deeper look into its story, gameplay, and dark fantasy setting inspired by the legends of King Arthur with a developer deep dive trailer.

Tides of Annihilation is set to launch sometime in the future for Xbox Series X|S, PlayStation 5, and PC via Steam and the Epic Games Store.

Guns of Eschaton

Guns of Eschaton is a soulslike FPS where you are travelling through an apocalyptic Wild West to find your way back home. Along your journey, you will be getting into firefights with cultists, demons, and other unspeakable monsters that require dark magic and a ton of lead to put down.

Guns of Eschaton is set to launch sometime in 2026 for Xbox Series X|S, PlayStation 5, and PC via Steam.

Everwind

Everwind is a sandbox survival game where you and your friends work together to build fantastical airships to explore the world and fight dangerous foes using swordplay and magic spells.

It was released into early access on March 17, 2026 for PC via Steam, but its latest trailer at the Future Game Show has confirmed it will ported onto home consoles in 2027.

Resonance: A Plague Tale

Resonance: A Plague Tale is an upcoming action-adventure game where you must uncover the mysteries of your past by solving the puzzles of the enigmatic Minotaur Island while keeping ahead of an army looking to collect your head.

Resonance: A Plague Tale is set to release tomorrow on Xbox Series X|S, Xbox on PC, PlayStation 5, and PC via Steam and the Epic Games Store.

If you want to learn more about this game, check out our review of Resonance: A Plague Tale, where we gave it 4.5/5 Stars.

Last Ditch Effort

Last Ditch Effort is a dark fantasy brawler with a slick, pixel art style and insanely over-the-top side-scrolling combat gameplay. Your goal in this game is to fight through an apocalyptic world as the long warrior Igor Emmerich to find an ancient gate that can grant any wish, no matter how times you must die to reach it.

Last Ditch Effort is set to release sometime in 2027 for PC via Steam.

Warhammer Age of Sigmar: Deathmaster

Warhammer Age of Sigmar: Deathmaster is a side-scrolling stealth platformer where you play as a member of the rat-like Skaven race, working your way up the food chain to become the ultimate Deathmaster assassin of the Clans Eshin.

Warhammer Age of Sigmar: Deathmaster is scheduled to release in 2027 for Xbox Series X|S, Nintendo Switch 2, PlayStation 5, and PC via Steam.

Escape from Playtime

The main show concludes with a trailer for Escape from Playtime, a co-op horror game set in the Poppy Playtime universe where you play as misfit toys desperately trying to escape a decrepit factory before being dismantled by horrifying freaks of nature.

Escape from Playtime is set to launch into early access on PC via Steam sometime in the future.

Warhammer 40,000: Boltgun 2

The FGS portion of the show kicks off with a new gameplay trailer for Warhammer 40,000: Boltgun 2.

This game is an upcoming FPS set in the grim dark Warhammer 40,000 universe where you must purge the universe of heretics as the indomitable Space Marine, Malum Caedo, or the unstoppable Sister of Battle, Nyra Veyrath.

Warhammer 40,000: Boltgun 2 is set to release on October 14, 2026, for Xbox Series X|S, PlayStation 5, and PC via Steam.

Crimson Moon

Crimson Moon is an upcoming hack-and-slash where you are on a crusade to cleanse the fallen city of Gildenarch of vampires, undead, and demons with holy fire in an epic campaign that can be undertaken solo or in 2-player co-op.

Crimson Moon is set to launch on September 1, 2026 for Xbox Series X|S, PlayStation 5, and PC via Steam and the Epic Games Store.

Amphibian 

Amphibian is a cute-looking yet deceptively serious, pixel-art RPG where you play as humanoid frogs on a quest to save their pond from a terrible drought while fending off beasts and invading toad armies in turn-based battles.

Amphibian is set to release sometime in the future for Xbox Series X|S, PlayStation 5, Nintendo Switch 1/2, and PC via Steam.

Apart

Apart is an action-adventure set in a zombie apocalypse where you play as a zombie yourself. You play as undead girl who has formed a bond with a severed hand, and you must work together to survive in this hostile world where not being a member of the undead will exempt you from being hunting by mindless infected.

Apart is set to launch sometime in the future on PC via Steam.

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I’ll admit it, I’m the guy who side-eyes sequels and especially prequels. Maybe it’s childhood trauma from sitting through the first three Star Wars movies, but prequels and I have never really gotten along.

I don’t know what it is specifically, but the prequels I come across tend to be pointless. Adding nothing to the existing story, or go off in different directions that have no relation to the original stories. That’s where Resonance: A Plague Tale Legacy is different.

The deeper I got into the game, the more I realized just how good it really is. The story doesn’t just tag along for the ride; it actually builds on the Plague Tale universe. And Sophia? She plays nothing like Amicia de Rune, which is something I didn’t know I needed so much of.

Resonance: A Plague Tale Legacy is like the best recipe from Asobo Studios, mixing in the action vibes of the Tomb Raider reboots and tossing in a dash of early Assassin’s Creed storytelling. The result is that Resonance easily becomes the best Plague Tale game so far.

From the stillness of silent trekking to open-area sword combat, Resonance: A Plague Tale Legacy is both similar yet an entirely reenergized overhaul of the Plague Tale we’ve grown to love in all the right ways.

This review was conducted using a pre-release code of Resonance: A Plague Tale Legacy provided to Windows Central by Asobo Studios. The company had no input or prior knowledge of its content.

Resonance: A Plague Tale Legacy — Story

As I said in the beginning, prequels are very hard to get right. One of the many repeated mistakes I see with prequels is the lack of ties into the story of the main entries. Something substantial has to be there, not just a hook where both main characters once ate at the same diner or some other crap. While I obviously am not the one who’s going to spoil a single second of Resonance’s fantastic storytelling, I will say that the tie-ins are more than sufficient to warrant a prequel.

From the jump, you can feel the Plague Tale DNA pulsing through the game. You step into the shoes of young Sophia, darting through crowds with a frame not much bigger than Hugo de Rune. Her childhood wasn’t great, as growing up in a house of God wasn’t exactly a blessing. The Nuns put her through a gauntlet of injections, sparking nightmares of a mysterious island that sends her father, and eventually herself, on a quest for the reasons behind the dreams.

The deeper she dives, the further her connection with the island grows; a reimagined story of the ancient Greeks’ Minotaur island. The contraptions of Daedalus, Minoan civilization, and the myth of the Minotaur all blend beautifully and terrifyingly with that of the Prima Macula, the main “antagonist” of the Plague Tale series.

That same connection with the island grants her a unique ability to see into the past of Theseus, legendary hero of Greek mythology. These sequences offer a glimpse of new details she may have missed, or of a puzzle that went missing centuries ago.

Both stories unfold over the 10+ chapters of the game, and I was absolutely hooked. I’m an absolute sucker for ancient mythology, and when you add a new take on top of it? Sign me up!

The pacing of Resonance never once felt dull, not even for a moment. Tension was high nearly throughout the game, with quieter moments offering a much-needed respite. Honestly, by and far this is one of the best narrative-driven games I’ve ever played.

My only major plothole was the random intervals of enemies you come across in the game. You’ll enter locked areas that no one has entered for centuries, and that your friends have tried to enter for years.

Finally, with the right equipment, you get inside, only to be met by an army of men that followed you to the island. Their constant invasion into spaces that are otherwise sealed felt beyond odd, but at least I got to kill them all!

Resonance: A Plague Tale Legacy — Gameplay

The big kicker with Resonance is the newly added gameplay mechanics that nearly overhaul those of the previous games. Gone are the days of knocking guards out with stones; in are the split-second parry moments of Sophia.

Sophia gets her hands on a bunch of different swords, each with its own twist that bolsters some talent of hers. She can block, and if you time it right, pull off a parry that fills up the enemy’s stun meter. Once that’s maxed out, you can land some seriously heavy hits through the use of Critical Strikes.

Sure, these mechanics don’t sound astonishingly new, but what’s there is incredibly polished. I don’t usually see developers that nail that feel from stealth jump to melee combat with any success, as there always seems to be a specialty that they’re better at. But Asobo Studio has disregarded that notion and succeeded.

They nailed the flow of combat in a way that feels responsive and intuitive throughout the campaign. I never once thought, “Wow, I really wish this worked better, or it wasn’t like this,” which is a rarity for someone like myself who prides their gameplay on Soulslike adventures.

That’s not to say Resonance is some game-changing masterpiece, but it’s very refreshing to see a developer who can deal with opposite genres so well. Some small things that could be improved? Absolutely, but they won’t break the game for anyone.

Things like Sophia’s rope hook feel a little pre-programmed. Like, I know this isn’t Naughty Dog we’re talking about, so I don’t expect Nathan Drake levels of swinging, but I also didn’t expect every rope interaction to be static.

Climbing walls is straight up and down, while swinging from rope hook placements above your head, which there are plenty of, is also fairly static. I feel like this mechanic alone could have been spruced up just a bit, and the world expanded as a result of it.

Take, for example, the puzzles. Clearly, a lot of refinement and effort went into making the puzzles of Resonance more so than any before. Partly because the scope of said puzzles has expanded beyond fire and into the use of more directional-based lighting mechanics.

As you progress, more puzzle mechanics are unlocked, and with that, the equivalent level of difficulty. Resonance does a very good job of providing environmental clues as time goes on without being completely blatant about the solutions (although there’s a clever amount of that as well).

Mirror usage, for example, is pretty frequent, but the ways in which you use mirrors develop over time. Subtle yet noticeable hints lead you in directions of these mechanics without some massive text tutorial spelling it out for you. Even puzzles that aren’t so obvious will see Sophia using her notebook to jot down answers or clues that players can make use of to solve things that aren’t so obvious.

With that said, it wasn’t always perfect. I did think some of the puzzles were either too simple or relied too heavily on using the notebook. For me, it felt like the notebook couldn’t decide whether it wanted to be optional at times or mandatory to use. This makes sense early on (if you play the game, it makes even more sense), but as you progress, it becomes narratively weirder to rely on.

Resonance: A Plague Tale Legacy — Performance, graphics, and the world

Yet again, another stellar showing from Asobo Studios. While the worlds of Plague Tale have always been nothing short of beautiful, what the developer has done between the interwoven worlds of Sophia’s present and her linked past is none other than masterful.

The Plague team has always had a special way of depicting worlds on the brink of collapse, but it’s always a pleasure to watch them distribute beautiful environments as well. Much of the Ancient Greek portions are gorgeous to look at, and more often than you’d think, I found myself taking a moment to pause and look over my 4K OLED screen to get a better look at each individual thing on screen.

All of this beauty surely comes at a cost, right? Well, yes, at least if you’re looking to run it at native 4k Ultra settings. But if you’re willing to run things with a little DLSS Quality or Balanced, you’ll be just fine.

The two builds I used were my laptop with a 4060 mobile chip at 1080p, and my main rig, an RTX 5080, 9800X3D, and 64GB of CL30 DDR5 RAM at 4K. For each, I ran at Ultra settings, with DLSS set to either Quality or Balanced, and I don’t recall ever dropping below 60 frames per second. In fact, I played most of the game well above 100 when mixing in a little frame gen.

Yes, I know, “Boo, frame gen sucks!” and I hear you, but hear me out too. Frame gen works rather well when a game is already pushing past 60, and even better when it’s not a twitch shooter. On third-person action games, the difference in smoothness far outweighs the precious sadness over “fake AI frames.”

Note: I did not get a chance to test the Xbox version, but I've been told it targets 60 fps with a dynamic 4k resolution.

Resonance: A Plague Tale Legacy — Should you buy it?

Short answer: yes. Long answer: yes. Fully summarized answer: this game isn’t for your normal everyday Call of Duty or Madden player. Games like these are meant to be played by those who are drooling for gorgeous vistas, well-planned puzzle mechanics, and a story that forces you to feel.

Resonance: A Plague Tale Legacy is beyond a shadow of a doubt the best entry in the series. Every new title showcases just how far Asobo has come in terms of quality and talent on their team.

I can’t believe I’m already saying this cause this game hasn’t even technically released yet, but I absolutely need a sequel to Plague Tale: Requiem with Amicia, Sophia, and crew. That, or whatever this studio decides to make.

Join us on Reddit at r/WindowsCentral to share your insights and discuss our latest news, reviews, and more.

Gamescom 2026 Opening Night Live is over, but the fun is getting started, as Gamescom has tons more video game announcements to make through the Future Games Show livestream.

This event will feature trailers and news updates on over 40 Xbox and PC games like Tides of Annihilation, Onimusha: Way of the Samurai, and much more.

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Here's how you can tune into the Future Games Show at Gamescom so you don't miss out on the reveals live.

Future Games Show at Gamescom 2026: watch times and platforms

Future Games Show at Gamescom will go live on YouTube, Twitch, X, and Steam at the following times:

• August 26, 2026, 10:00 am PDT
• August 26, 2026, 1:00 pm EDT
• August 26, 2026, 6:00 pm BST
• August 26, 2026, 7:00 am CEST

What can we expect to see during the Future Games Show at Gamescom 2026?

The Future Games Show will be showcasing over 40 games (including world premieres on 13 unannounced titles) with several gameplay trailers and developer interviews.

Some of the games confirmed to appear include Capcom's upcoming revival of its classic Onimusha series with Onimusha: Way of the Sword, the indie action-RPG Moonlighter 2: The Endless Vault, and the original character-action game based on Arthurian lore, Tides of Annihilation.

Once the Future Games Show concludes, it will be followed by FGS Live, which will feature additional reveals, trailers, and developer interviews on smaller titles like Warhammer 40,000: Boltgun 2, the sequel to one of my favorite first-person shooters of 2023.

Join us on Reddit at r/WindowsCentral to share your insights and discuss our latest news, reviews, and more.

Frankly I have no idea why it didn't always work this way, but better late than never eh?!

Speaking at Gamescom, Microsoft confirmed that the long-expected disc-to-digital program is going live on Monday for Xbox Insiders, and it works exactly as you would've hoped and expected.

First detailed by Tom Warren at The Verge following datamining leaks, codename "Positron" is a new feature that will be available across Xbox One and Xbox Series X consoles with a disc drive. Simply insert your Xbox physical game disc into a console, and you'll be prompted to redeem a digital version of the game too.

Naturally, it needs to be a game that actually works on Xbox One or Xbox Series X|S. OG Xbox and Xbox 360 discs aren't compatible, since they were never manufactured with digital identifiers in mind.

The digital version will have all the same benefits as any other digital Xbox copy of a game: Xbox Play Anywhere support, meaning access on an Xbox Ally handheld or Windows PC and support for Xbox Cloud Gaming. If you console share with a family member, they'll also get access to the license via your account. Once you've activated the digital version, you won't need the disc to play the game. However, the disc you used doesn't become inert — it still contains the digital license, too.

Just like sharing a physical game in the real world, if you sell or give the disc away, the digital license will then transfer to the Microsoft Account of the new user, and off your account.

The system will go live for Xbox Insiders on Monday will support for "thousands" of games, sources tell me. Microsoft plans to roll out support for more discs over time as it refines and polishes the service, although it seems that some discs may be incompatible due to how they were manufactured at the time.

It's unclear if PlayStation will be able to replicate this feature on PS4 and PS5. Indeed, it's an awkward discussion right now potentially, given that Sony recently announced that it is phasing out disc-based games entirely to a visceral backlash.

Microsoft still hasn't really put its mark on the debate, although sources tell me it's less about the discs and more about the disc drives themselves; the entire supply chain for the components required to make optical disc drives is collapsing, with assembly lines pivoting away from the tech as users actively opt for digital-only.

Microsoft has also been actively building out Xbox game emulation on PC as well, with planned support for all Xbox 360 games, and potentially Xbox One and above in the future too. It's great, in my view, that Xbox is offering some sort of exit for those with digital collections — it remains to be seen if those on other platforms will be so lucky.

It'll be interesting to see how they navigate the inevitable phase out with the next-gen Xbox Helix as well, as users call on Xbox to take a different path to PlayStation.

Join us on Reddit at r/WindowsCentral to share your insights and discuss our latest news, reviews, and more.

After Xbox's controversial 'reset' that laid off over 3,000 people and rumors of State of Decay 3 not coming to Xbox Game Pass flying about, fans of the long-awaited zombie survival game were starting to panic and think State of Decay 3 was going to be canceled.

Thankfully, Microsoft has laid all the doom and gloom to rest as it has announced on Xbox Wire that State of Decay 3 is still coming to Xbox Game Pass.

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On top of that, Microsoft has also announced that State of Decay 3 will be hosting closed beta tests before the end of 2026, which players can register for right now on the official State of Decay 3 website.

It will feature the largest map in a State of Decay game to date with untethered multiplayer, allow more people to join than the previous alpha tests, and incorporate gameplay improvements based on feedback players made during the alpha tests.

Windows Central's take

State of Decay 3 is the latest entry in the popular State of Decay series, where players band together in online multiplayer to survive the zombie apocalypse by scavenging for weapons and building settlements to hide in.

While I never played these games myself, I know my colleague, Jez Corden, absolutely loved State of Decay 2 despite its launch-day issues and has been waiting for its sequel for nearly a decade now.

So I'm betting he and many other zombie game fans are happy to see State of Decay 3 survive Xbox's recent mass culling and is continuing to press on for its eventual release in 2027 for Xbox Series X|S, Xbox Game Pass, Xbox on PC, and Xbox Cloud Gaming with Xbox Play Anywhere support.

Stay tuned for further updates as we continue this highly anticipated zombie survival game that refuses to die before it sees the light of day.

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Are we on the cusp of a turn-based tactics renaissance? After playing Star Wars Zero Company on Xbox for a few dozen hours over the past couple of weeks, I absolutely want to believe it.

Star Wars Zero Company is from Bit Reactor, made up of XCOM and Firaxis alumni. The studio partnered with Respawn and EA, who are stewarding the Star Wars license for Disney through the oft-treacherous universe of gaming. Respawn and EA, I would argue, have more than done the license justice over the years. Jedi Fallen Order, Battlefront 2, and even Star Wars: The Old Republic have all performed incredibly well, even as Disney itself struggles with the universe on the silver screen.

Indeed, I admit I've had some of my own "Star Wars fatigue" given Disney's handling of some of the movies and shows. Disney spent a ton on the property, but in their haste to capitalize on it, they've probably done more harm than good.

It was my fandom of XCOM rather than Star Wars that drove my intrigue in Zero Company. If Take-Two no longer wants to make XCOM games, then Bit Reactor spun up a new studio to carry the torch. And Force be damned, carry it they did.

Star Wars Zero Company is truly phenomenal. Bit Reactor threw a lot of the rules out of the window building this game, delivering a cinematic "AAA" experience that is rarely associated with the isometric turn-based tactical genre. You can expect an authentic Star Wars experience here, complete with a crew of interesting characters from all sorts of galactic species, wrapped in an original plot that runs concurrent to the famed Clone Wars.

Here's why Star Wars Zero Company is an essential play for fans of turn-based tactics, and something well-worthy of consideration for Star Wars stalwarts.

Star Wars Zero Company launches on August 27, 2026, for Xbox Series X|S, PS5, and PC. This review was primarily conducted on Xbox Series X with a code provided by EA.

Star Wars Zero Company: Art and Performance

Star Wars Zero Company follows a familiar formula for those who have played XCOM, given the pedigree of those who worked on both properties. The gameplay primarily revolves around isometric turn-based battles, with a grid-based cover system and squad-oriented combat mechanics. However, Zero Company goes a little bit further than most within this genre.

Given the Star Wars property, Bit Reactor has poured a ton of work into making Zero Company seem truly cinematic. This required ditching the rulebook to some degree, and giving the player the ability to explore the environments up close and personal. It also required a similarly cinematic story, with detailed character models that meet modern expectations.

Typically XCOM-style games straddle a stylized presentation, given the de-emphasis on story content and zoomed-out camera, but Zero Company defies this convention. The environments and lighting are immaculate and authentically Star Wars, with impressive explosion and smoke effects, in heavily destructible, dynamic combat spaces.

The game runs at a solid 60 FPS on Xbox Series X even with many, many units on screen. You'll see some dips at times when there's huge amounts of volumetric smoke popping off, but there's rarely an issue.

My only real complaint on the performance front pertains to calculation glitches that seem to be a staple of the genre in some ways. Sometimes the enemy AI can get stuck in loops in some scenarios, unable to actually take their turn. It's an issue that I've seen in various incarnations of this genre, whether it's XCOM, Gears Tactics, WH40K: Mechanicus, and beyond. Usually these kinds of issues get patched out over time, and Zero Company does have a turn-based autosave function, but it's not ideal in situations where you can lose progress. I also did have a couple of hard crashes even after the day one patch, so more polish is probably warranted. But it's hardly a deal breaker, and issues are definitively rare.

Overall, Zero Company is a generally technically impressive game. The art delivery is exactly what you'd expect from Respawn Entertainment's era of Star Wars games, with tons of little details and easter eggs Star Wars fans will appreciate. The digital acting is excellent, and the explorable environments between battles are also engaging and immersive. I would argue Zero Company has raised the bar and expectations for the genre as a result.

Star Wars Zero Company: Story

I did not expect to be sitting here thinking of comparing a turn-based tactics game to the likes of Mass Effect for story delivery, but here we are.

Star Wars Zero Company absolutely rose to the occasion with regards to story treatment, given expectations around the legendary sci-fi license.

Players take the reins of Hawks, a disgraced former Republic captain, dishonorably discharged in a military stitch-up of sorts. Hawks sets up a mercenary band to make ends meet, although his team, Zero Company, has fallen upon hard times. And hard debt, owing thousands of credits to the Hutt clan.

It's only when an exiled noble, Jae, and a Republic Intelligence officer show up on his doorstep that things begin to look up. At least, comparatively speaking. Early on, Hawks finds himself running afoul of a new galactic faction, known as The Coil. Infected with some mysterious, psionic space virus, Coil members form into some sort of hive mind, intent on spreading their deadly cult. The Coil has already threatened various planets in Republic space, but the Clone Wars are in full swing, and resources are stretched thin. Perhaps some outsourcing might help?

Republic Intelligence offers Hawks' band a deal he can't refuse, but the investigation into The Coil quickly becomes personal.

Without spoiling too much, the early stages of the game really did give me a Mass Effect vibe, particularly so in Mass Effect 2, in the most complimentary way possible. You're chasing a mysterious threat that kidnaps citizens, all while gathering a menagerie of mercenaries from all walks of alien life, with all sorts of different motivations. There are even loyalty-style missions that offer deeper insights into the various characters, complete with unique scenarios and unlockable story sequences that can also boost character prowess in combat.

Typically, I play these types of games for the infectious tactical gameplay and gradual sense of progression, but Zero Company was the first where I found myself playing specifically for the story.

I would've liked Zero Company to have been a little bit on the more "mature" side, given the espionage angle and coming off the back of Star Wars: Andor, but that's perhaps just personal preference. The Coil is a genuinely interesting threat, and the adjacency with the events of the Clone Wars is woven expertly in such a way that it doesn't interfere with established lore, but still makes for nostalgic moments and fan-service scenes that are truly delightful.

Thankfully, the gameplay itself is also top-notch.

Star Wars Zero Company: Gameplay

The last pure XCOM-style tactics game I played before this was Gears Tactics, and as much as I did enjoy it, it was clearly limited by the scope of the Gears in-universe tech. Given the diversity of weapons, technology, abilities, and enemy types in the Star Wars universe; Zero Company absolutely does not have this issue. There are so many options in Zero Company that you're often too spoiled for choice.

In Zero Company, you create your own character with a variety of alien races, clothes, and cosmetics to choose from; you're then able to choose a basic archetype class. These seem deceptively simple to start with, stuff like highly-ranged Sniper, advantage-seeking Scoundrel, and general-purpose Assault-type classes, and so on. However, as you level up, unlock focus points, equip different mods, weapons, accessories, and bond skills — depth ramps up quickly. And that's before we talk about hero character-specific abilities.

Indeed, beyond the basic archetypes and custom-created mercs you can make, Hawks will meet some very powerful characters along the way, fitting famed Star Wars roles. A Jedi padawan deserter signs up, alongside a jetpack-wielding Mandalorian. A Disney-approved new alien named Kabb is always on task to uppercut enemies across the map, too. Each of these heroes has unique and powerful abilities that can set up satisfying kill zones when the right conditions align.

Many XCOM-style staples return, such as overwatch scanning zones, melee knockback attacks, and so on. Star Wars Zero Company changes it up with advantage points, which allow squaddies to use more powerful abilities. As you rack up kills, you'll be able to spend advantage points on things like a powerful Jedi area knock back shockwave, an extreme-range guaranteed crit sniper shot, and an electrifying taser stun gun.

You can switch between party members at any time, too, so you'll want to make sure they're positioned to complement each other well. Some passives let characters take extra shots in some conditions, for example. So you'll want them in line of sight to take advantage of that. You're also able to do things like Force-push enemies off ledges and into overwatch fields for extra shots, and call upon allies to back you up when you attack with their own follow-up shots.

Zero Company also tasks you with upgrading and maintaining your mercenary "den" between missions. Ensuring that you have a proper arsenal of powerful weapons, complementary equipment like grenades, and facilities like a med bay for healing injuries is paramount.

I've been playing through on normal difficulty so far, and have found the game to be a decidedly addictive experience. It doesn't reach the stakes of XCOM's panic-inducing time-limit mechanics, but you can ramp up the difficulty and turn on character perma-death and "beskar mode," which is Zero Company's ironman no-save scumming mode. Every decision is final. And yes, even major story characters can die here.

Star Wars Zero Company is simply a top-shelf XCOM-styled game, well worthy of the genre's legacy, and arguably the best we've seen from the medium in a very long time.

Star Wars Zero Company: Conclusion

Star Wars Zero Company is one of those rare games where I found myself grinning ear-to-ear (something I rarely do these days, frankly). Whether it was the nostalgic nods to Clone Wars events and even obscure Star Wars lore, pulling off kill sequences that made me feel smart (even though I'm not), or the various surprises and little details Bit Reactor weaved throughout the game — Star Wars Zero Company is a true delight.

If you don't like XCOM-style games like Gears Tactics, Final Fantasy Tactics, Midnight Suns, and so on, Star Wars Zero Company likely isn't going to do much to change your mind. It leans into that genre incredibly hard, at least on the gameplay side.

Where Zero Company changes it up is in the cinematic, character-driven story that feels every bit as deserving of a place among some of Star Wars' greatest video game tales. The characters are as interesting as they are fun to be around, making it all the more painful if you find one of them perma-killed by an ill-thought-out plan.

There's perhaps more Zero Company could've done to mitigate the genre's long-standing foibles. My attention-addled mind is less tolerant of things like waiting for the AI to catch up, or turn-based tooltips and messages to play out. I'm not sure why some abilities can't run concurrently, or enemies can't take attacks more quickly at times.

I also think Zero Company could've benefitted from leaning more towards Andor's darker tone rather than the family-friendly Clone Wars movies, given the likely age range of the turn-based tactics demographic (we're old, guys). But none of my personal preferences undermine what Bit Reactor has crafted here: Star Wars Zero Company is a banger, and I absolutely hope we see more of Hawks' squad in the future.

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Gamescom 2026 Opening Night Live was packed with non-stop gameplay trailers. One of the longest was an extended gameplay reveal for Warlock: Dungeons & Dragons, set to launch in 2027 for Xbox Series X|S (with Xbox Play Anywhere support), PlayStation 5, and PC via Steam and the Epic Games Store.

This upcoming action-RPG is, as you might expect, set in the Dungeons & Dragons universe. After watching this intriguing trailer, it's shaping up to be the biggest AAA video game adaptation of the franchise since Baldur's Gate 3.

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Warlock: Dungeons & Dragons has you assume the role of Kaatri, a Warlock who made a dark pact with an ancient witch named Tasha to gain the power to find someone precious to her that she lost.

To accomplish her mission, Kaatri must feed on raw magic throughout the forgotten realms, discover and master forbidden spells, rituals, and weapons, and battle her way through hordes of monsters infesting the Mists of Darkon.

As seen in the trailer, you will have a ton of magic spells at your disposal, and you will decide which ones are best employed for exploration, puzzle solving, and combat.

Windows Central's take

As someone who spent many years playing the Dungeons & Dragons tabletop RPG, Warlock: Dungeons & Dragons is looking promising even in its early stages of development.

Most of the iconic spells of the Warlock's kits from the tabletop RPG have been faithfully recreated in this game, from the laser-spewing Eldritch Blast, the telekinetic Mage Hand, and the shadowy Tentacle of the Deeps, to name a few.

It even shows a sequence where the player is casting a ritual to summon rain by sacrificing rare materials to make the environment and enemies more susceptible to lightning attacks.

If the developers can polish up its graphics and performance, and show off more insane spells from the Warlock's kit, this could be a great game for action-RPG and D&D fans alike, especially for those who like playing games on the go on the Xbox Ally since this game is getting Xbox Play Anywhere support.

Games getting Xbox Play Anywhere support seem to be happening more often these days, as twelve games shown at the Gamescom 2026 Opening Night Live event are receiving it (as confirmed by IdleSloth at X), including The Witcher 3, which is getting a free remaster upgrade.

Either way, we'll keep an eye out for future developments on Warlock: Dungeons & Dragons to see if the final product's performance earns the Xbox Play Anywhere blessing.

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Gamescom 2026: Opening Night Live has wrapped up, and one of its biggest announcements was the reveal of a new trailer for Final Fantasy VII: Revelation, the final chapter of the Final Fantasy VII Remake series.

This trailer was a cinematic and gameplay montage showcasing the terrible might of the Weapons, a group of giant monsters created to defend the planet from dire threats and serve as the game's ultimate challenges both in the story and end-game content.

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The trailer also shows gameplay footage of the Job class 'FITS' system in action as Tifa uses Black Mage powers to fire fireballs and summon a called Typhon, grappling hook and chocobo mounts, open-world exploration, and even the return of the Submarine battle mini-games from the original Final Fantasy VII.

Windows Central's take

When I was a kid watching my brother play the original Final Fantasy VII in the 1990s, one of the things that left the biggest impression on me was the Weapons.

They were the first Godzilla-sized monsters I've ever seen in fiction, and they looked so much cooler to me as a kid than Sephiroth ever was (and to some extent still do as an adult), despite having no personality beyond smashing humans to pieces for ruining the planet.

Not to mention they served as the hardest boss fights in the original game that required insane party compositions, builds, and strategies to defeat. So I'm hoping that these new versions in Final Fantasy VII: Revelations will end up being just as hard or even harder to compensate for the new action-RPG combat system.

Either way, I can't wait to fight these monstrosities again when Final Fantasy VII: Revelations launches during the Spring of 2027 for Xbox Series X|S, PlayStation 5, Nintendo Switch 1/2, and PC via Steam and the Epic Games Store.

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Gamescom 2026 is in full swing, and there's already a bunch of big wins emerging for Xbox.

My Gears of War: E-Day campaign preview just went live (and it looks amazing), a metric ton of Gamescom titles just got revealed for Xbox, and we have even more goodies being announced throughout the week (stay tuned for tomorrow ...). But, here's a personal big win that I'm very excited about.

The Witcher 3 is inarguably one of the best games ever made, and it's getting a big remaster version on September 29, 2026, and is also COMPLETELY FREE for users who own the existing game.

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"Remastered is a free upgrade for players who own The Witcher 3 on GOG, Steam, Epic Games Store, PlayStation 5, and Xbox Series X|S, and includes both Hearts of Stone and Blood and Wine expansions. It is also available for pre-purchase on Battle.net and Nintendo Switch 2."

Update: I missed this part on the initial write up, but yes, The Witcher 3 is also coming to Microsoft and Blizzard's Battle.net. It's part of a wider initiative to open up Battle.net to third-party developers so I'm told, which we should hear more about at BlizzCon 2026 in September. Stay tuned for that one.

Furthermore, CD Projekt RED revealed in the small print that it also grabs Xbox Play Anywhere support, finally bridging the gap between Xbox Series X|S and Xbox Ally versions. It'll also get FSR 4.0 support on the Xbox Ally X, giving it massively improved performance.

Here's just some of the changes you can expect in the free update:

• Improved combat flow, with new finishing moves and skills.
• Boosted traversal with more intelligent and dynamic vaulting, platforming, etc.
• Overhauled visuals, with improved lighting and spell effects.
• Improved monster AI, giving them new moves of their own.
• Revamped horse riding.
• A complete Cyberpunk 2077-style overhaul of the skill tree.
• Armor transmogrification.
• Improved photo mode.
• A variety of other smaller enhancements, such as boosted looting systems, UI interactions, tutorial modernization, HDR improvements, lighting overhaul, Xbox Play Anywhere, and more.
• DLSS 4.5, AMD FSR 4.0 (great for Xbox Ally), Path Tracing on high-end systems, raytraced hair (wtf?), and more visual features.

Witcher 3 expansion "Songs of the Past" gets teased, too!

CD Projekt RED also recently announced that The Witcher 4 is slated for 2028, with yet another Witcher 3 expansion slated for later in 2027.

Additionally, CD Projekt RED also showed off the first teaser trailer for the third and final Witcher 3 DLC, titled "Songs of the Past."

"This full-fledged third expansion takes the White Wolf on a new adventure to the peaceful realm of Letten, where dark secrets lurk beneath the surface… Coming in 2027."

In the trailer, we catch a glimpse at a new hook-like tool Geralt has for pulling in enemies, as well as twisted nature-oriented enemies.

CD Projekt RED has been over-delivering almost none-stop since Cyberpunk 2077's launch, which disappointed users on PS4 and Xbox One owing to its performance. Fast forward half a decade, and Cyberpunk 2077 was fully revived and revamped, it had an award-winning TV show, and now we're getting an absolute mountain of free content for Witcher 3, the game that helped CD Projekt RED claim its top spot at the RPG pile.

Witcher 4 and Cyberpunk 2 are deep in development as well, and there's every reason to think they too will continue CD Projekt RED's path towards legendary status.

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Gears of War is having something of a renaissance right now, as The Coalition go all out to put the franchise back on the map.

Gears has been one of the most consistent Xbox staples in the brand's history, popularizing the third-person shooter genre with its gritty storytelling and bleak world. Gears 4 and 5 experimented away from the formula a bit, and perhaps got lost in the weeds in some ways as they sought to give the franchise new footing. After a successful Gears of War: E-Day beta event, increasingly it's looking like the key to Gears' future may, in fact, lie in the past.

Recently, I was lucky enough to go hands-on with two missions from Gears of War: E-Day's campaign, set during the initial attacks from the vile Locust swarm.

E-Day follows a younger Marcus Fenix and Dominic Santiago, worn down already from a major civil war that society had only just begun to recover from. Then, subterranean horrors emerged from the ground, bringing with them a whole host of terrifying war beasts and brutal makeshift weaponry in a legendary surprise attack that would eventually leave humanity on the brink of extinction.

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E-Day is about those early years, and if the full game is even close to as good as what I experienced last week, Gears of War: E-Day could cement its place as the best Gears of War story in history.

A painstakingly detailed, reactive world

The original Gears of War is very much a product of its time, but also its setting. The game is essentially post-apocalyptic, taking place years after E-Day, with much of civilization already reduced to grey-brown ash and ruins.

Given that Gears of War: E-Day takes place at the very start of the war, The Coalition had to approach it like it is: a very different beast, ultimately. The stakes are far higher; there are still survivors running around, trapped in their homes, and The Coalition weaves that bleak reality into every pixel of E-Day's presentation and gameplay.

Taking place in the town of Kalona, the levels I experienced are right up there with the most painstakingly detailed urban environments I've experienced this gen. It feels less like it's designed specifically as a gameplay canvas, and more like it's designed to feel lived in. The Coalition absolutely delivered here, while still sneakily dotting the map with chest-high (and now shin-high) walls to hide behind with its dynamic cover system.

If you played Gears of War's Siege mode beta, you might already have some idea of what I'm talking about with regard to environmental detail. Car tires puncture and deflate under gunfire, windows shatter, and cover deforms, giving E-Day a sense of life that was missing from the older games.

The town is full of storefronts and interiors, without even a whiff of copy-and-paste. Gears' campaign seems to connect linear segments into wider areas, complete with a mapping tool that was reminiscent of Silent Hill's own. Marcus will sketch notes and routes on the map as you move, which opens up exploration opportunities and side objectives for unlocking weapon mods and equipment for your loadout, as well as lore-enriching collectibles.

It's still unmistakably Gears, complete with a rough prototype chainsaw lancer machine gun, canned execution animations, atop a more dynamic cover system. But it also feels fresh in a way that many franchises struggle with several games deep. I dare say The Coalition cooked here.

A darker, more desperate tone

Gears of War: E-Day is every bit as violent as the previous games, although I feel like we're getting more up close and personal with the reptilian Locust than ever before.

I mentioned stakes in the intro, but there's a keen sense of vulnerability for a C.O.G. that has been caught with its collective pants down — NPCs are seen fleeing the warzone, being gunned down (or worse) in cold blood, as wretches screech through, devouring up the remains.

This first wave of Locust is chaotic and visceral, armed with the ballistic equivalent of axes and clubs intent on murdering anything and everything with a human pulse. The top brass have no idea what's going on. One day, everyone woke up to murderous, hungry monsters writhing out of the ground, and E-Day leans hard into that dark fantasy.

Marcus' self-assured stoicism hasn't fully hardened in E-Day; that sense of inexperience is oddly exposing, giving E-Day a tangible sense of vulnerability. The Coalition uses the game's side objectives to tell short stories within the game's world as well, giving you opportunities to see how regular civilians are being slaughtered en masse in the Locust feeding frenzy. It's an extension of the side-objectives system The Coalition seemed to explore a bit in Gears 5, although I'd argue it makes a lot more sense in E-Day's dense urban climbs. It doesn't rely on vehicular traversal, which arguably tripped up the game's pacing a bit in 5, and there are fewer engine limitations on injecting new areas on the fly.

Speaking of the engine, I think Gears of War: E-Day is probably the most visually impressive game I've played so far this gen. The Coalition are without a doubt the masters of Unreal Engine, perhaps surpassing Epic Games itself. The visual density, the lighting quality, the detailing, all while running at 60 FPS in an inexplicably crisp resolution, demand wonder and immersion like few other developers can muster.

The visuals and music delivery make Gears of War: E-Day's darkly cinematic presentation all the more evocative as you scrape through the blood-soaked streets of cities that are undoubtedly in the process of total destruction.

The Coalition takes Gears to the next level with total and complete confidence

There's little room for hope in Gears of War: E-Day. We all know the conclusion. But for the first time, we're going to experience that hopelessness firsthand.

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Right after playing through the E-Day campaign preview, I loaded up the original Gears of War to do a direct comparison. It's easy to forget sometimes just how far we've come in terms of visuals, presentation, gameplay fidelity, and general polish. It's also easy to fill in the blanks with your imagination — that's practically what we had to do back in the day, playing games at 480p.

The Coalition and other developers working on legacy franchises have some of the toughest jobs in the business. How can you deliver experiences that compete with our nostalgia-tinted imagination? How can you exceed expectations that are, in part, misremembered through fragments of fading memories?

The Coalition's answer seems to be: "you have to over-deliver."

If Gears of War: E-Day's full campaign offers the kind of quality I experienced last week throughout — I'm confident it'll not only be remembered as the best entry in the franchise ... Gears: E-Day could also represent the starting point for a new decade of an Xbox dominated by The Coalition.

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Gamescom 2026 has arrived, and it's bringing with it a tidal wave of exciting Xbox and PC game announcements, courtesy of its Opening Night Live ceremony.

The event has just concluded, so we're rounding up every major new game reveal, gameplay demonstration, cinematic trailer, and news update for upcoming games shown at the ceremony for your viewing convenience.

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Where and how you can watch Gamescom 2026 Opening Night Live

To watch Gamescom 2026 Opening Night Live or rewatch its VOD, you will have to tune into Gamescom's YouTube and Twitch channels.

All Xbox and PC games shown at Gamescom 2026 Opening Night Live

Here is where you will find all the game announcements from Gamescom 2026 Opening Night Live, with links to their trailers, short synopses of what they are, and what we know of their release dates, platforms, and more.

We'll be updating this post live as the event happens so be sure to keep refreshing to stay on top of the latest announcements.

Nodus Fall

The show kicks off with Nodus Fall, a new co-op action game produced by Genshin Impact creators, Hoyoverse. In this game, you and three other players take on the role of Weavers and set forth on a perilous journey to defeat mythical gods and monsters in a ruined world.

Rainbow Six Tactics

Rainbow Six Tactics is an XCOM-like tactics game where you dispatch the iconic Operators of the Rainbow Six franchise across the world to dispatch terrorist threats.

The game is set to release in 2027.

Gears of War: E-Day

Gears of War: E-Day shows more cutscenes of its highly anticipated single-player campaign in a new cinematic trailer. This latest chapter in the iconic third-person shooter series launches exclusively on Xbox Series X|S, Xbox on PC, and Xbox Game Pass on October 6, 2026.

Ananta

Ananta is an upcoming open-world urban RPG with an anime art style where the player must protect humanity from destruction by the forces of Chaos.

It showed off a new gameplay demo trailer at Gamescom, which confirms that the game will release on January 15, 2027, for PC, PlayStation 5, and mobile devices.

Silent Hill: Townfall

Next up we have a new, cryptic trailer for Silent Hill: Townfall, a new entry in the legendary survival horror series where the player must navigate through the island of St. Amelia to uncover dark mysteries and avoid getting killed by horrifying monsters.

Silent Hill: Townfall is set to release on September 24, 2026, for PC and PlayStation 5.

Resonance: A Plague Tale Legacy

Resonance: A Plague Tale Legacy, an upcoming action-adventure game, shows off a new trailer of the main character struggling to survive and unravel the secrets of the Minotaur island.

This game is set to release on August 27, 2026, for Xbox Series X|S, PC, and PlayStation 5.

Sea of Remnants

Sea of Remnants is an upcoming, free-to-play action-RPG where you roam the seas as puppetfolk pirates in search of glory and treasure.

The game is set to release in 2026 for Xbox Series X|S and PlayStation 5, and it's latest gameplay trailer confirms that the game is open for pre-registering.

Crimson Desert

The hit open-world RPG, Crimson Desert, has announced a new Enhanced Edition, which will feature all of the game's post-launch updates, expanded voice-overs and subtitles, and new story moments.

The game is available for purchase on Xbox Series X|S, PC, and PlayStation 5.

The Blood of Dawnwalker

The Blood of Dawnwalker, the upcoming open-world action-RPG made by former CD Projekt Red developers, has released a new launch trailer ahead of its September 3, 2026, release on Xbox Series X|S, PC, and PlayStation 5.

In this game, you play as Coen, a Dawnwalker vampire struggling to control his hunger for human blood while protecting his family from evil vampires. You will explore a dark fantasy world, make tough choices, and battle enemies in visceral combat using vampiric powers.

Lofsong

Lofsong is a brand new and strange puzzle-adventure game where you explore a post-apocalyptic Earth to uncover the last remnants of our fallen civilization without the aid of dialogue or a map.

Lofsong is currently scheduled to release on Xbox Series X|S, PC, and PlayStation 5.

Tides of Annihilation

Tides of Annihilation is an upcoming character-action game based on Arthurian legend. Its latest trailer shows off more of its story and gameplay, where Gwendolyn must travel with the Knights of the Round Table on a quest to restore a ruined world to its former glory.

The game is set to release sometime in the future for Xbox Series X|S, PC, and PlayStation 5 and is now available for wishlisting.

Mega Man: Dual Override

Mega Man: Dual Override is a brand new entry in Capcom's classic side-scrolling Mega Man franchise, and we've gotten a glimpse of its gameplay in a new trailer as the iconic Blue Bomber once again strives to save the day from the evil Dr. Wily.

Mega Man: Dual Override is set to release in 2027 on Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5.

Rayman Legends Retold

The upcoming remake of the critically-acclaimed Rayman Legends shows off its insane platforming gameplay with a trailer showcasing its Macarena Music Level.

Rayman Legends Retold is set to launch on October 1, 2026, for Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5.

Game of Thrones: War for Westeros 

Game of Thrones: War for Westeros is an upcoming real-time strategy game based on the long-running Games of Thromes book series where you be commanding the setting's various faction to dominate the land in an epic single-player campaign or intense multiplayer PVP skirmishes.

Game of Thrones: War for Westeros is set to release in early 2027 for PC.

Control Resonant

The hack-and-slash follow-up to the critically acclaimed action-adventure game, Control, has released a new gameplay trailer showcasing more of its otherworldly setting and bombastic combat system set to music by the classic electronic band, The Prodigy.

Control Resonant is scheduled to release on September 24, 2026, for Xbox Series X|S, PC, and PlayStation 5.

Exodus

Exodus is an upcoming action-adventure where you are tasked with exploring the galaxy for Celestial technology to help ensure mankind's future after they fled a dying Earth.

Its latest trailer showcases its third-person gunplay, sci-fi setting, and an intriguing party named Salt, who is literally an octopus riding a mech suit.

Exodus is set to release on April 7, 2027, for Xbox Series X|S, PC, and PlayStation 5.

Warlock: Dungeons & Dragons

Warlock: Dungeons & Dragons is an upcoming third-person action game set within the universe of the legendary Dungeons & Dragons universe. This Gamescom trailer gives us a 6-minute extended gameplay demo how the player will wield the dark powers of a Warlock to explore the world and slay the monsters of the Forgotten Realms.

Warlock: Dungeons & Dragons is set to release in 2026 for Xbox Series X|S, PC, and PlayStation 5.

1001 Threads of Mizan

1001 Threads of Mizan is a brand new, original 3-player co-op action game where the players must work together to defeat towering beasts and monsters in a world inspired by One Thousand and One Nights (a.k.a. Arabian Nights).

1001 Threads of Mizan is set to launch sometime in the future for Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5.

Metro 2039

Metro 2039, the latest entry in the grimdark Metro franchise, has revealed more of its gritty setting, its tough-as-nails survival gameplay in the first-person, and some of the horrifying men and monsters you will encounter in this post-apocalyptic world.

Metro 2039 is set to launch in February 2027 for Xbox Series X|S, PC, and PlayStation 5.

Silver Palace - House of Greed

Silver Palace is an upcoming action-RPG where you play as a detective solving mysteries in a Victorian-like setting while battling ancient horrors and mysterious beings. It will also feature a survival horror-like multiplayer mode called House of Greed.

Silver Palace is set to release sometime in the future for PC and PlayStation 5.

Gravhounds

Gravhounds is a 4-player co-op action builder where you play as humanoid dogs fighting on hostile worlds to extract their resources and fight off any pesky aliens looking to stop your mining operations.

Gravhounds is set to release via early access in 2026 for Xbox Series X|S and PC.

No Law

No Law is a first-person shooter where you play as Grey Harker, an ex-soldier struggling to survive in a dangerous, dystopian cyber-noir city where no laws exist.

No Law is set to launch in 2027 for Xbox Series X|S, PC, and PlayStation 5.

Cinder City

Cinder City is a new tactical shooter where the player must explore a ruined, near-future version of Seoul and protect humanity from ravenous monsters and maniacal villains.

Metro 2039 is set to launch in February 2027 for Xbox Series X|S, PC, and PlayStation 5 and is now available for wishlisting.

ONTOS

ONTOS is a new dark sci-fi adventure game made by the creators of classic horror games such as Amnesia: The Dark Descent and SOMA. In this game, you are exploring a repurposed moon hotel called Samsara to uncover your father's past while making sure you don't lose your mind as reality has begun fracturing within this hotel.

ONTOS is set to launch in 2027 for Xbox Series X|S, PC, and PlayStation 5.

DUST: Origins

DUST: Origins is a top-down action-horror game where you must fight to escape a prison platform before its inmates, security guards, and invading monsters murder you.

DUST: Origins is set to launch in 2027 for PC and has launched a Kickstarter campaign for players to help fund and improve the game's development.

Showa American Story 

Showa American Story is an upcoming action game set within an alternate version of America that's been reshaped by Japanese culture. In this game, you must fight to survive against hordes of gangs, zombies, and monsters in over-the-top hack-and-slash battles while partaking in insane mini-games to make a living in this absurd take on post-apocalyptic settings.

Showa American Story is set to launch in 2027 for PC and PlayStation 5.

Crazy Taxi World Tour

Crazy Taxi World Tour, the long-awaited sequel to Sega's classic Crazy Taxi racing game, has shown off its multiplayer gameplay in a crazy new trailer.

Crazy Taxi World Tour is set to launch in 2027 for Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5.

Turok Origins

The classic dino-slaying shooter series, Turok, is back with a new AAA entry called Turok Origins. In this game, you will blast killer dinosaurs and reptilian villains with over-the-top weaponry while harvesting your enemies' DNA to become stronger.

Turok Origins is set to launch in Spring 2027 for Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5.

Path of Exile 2

The popular upcoming ARPG, Path of Exile 2, has announced it's finally leaving early access and will be releasing its 1.0 update on December 11, 2026, for Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5, while still being free-to-play.

To celebrate, Path of Exile 2 released a new trailer showcasing gameplay of the new and long-requested Sword weapon type and the Duelist class.

Exterminauts 

Exterminauts is a co-op shooter where you play as astronauts dispatched to colonize worlds while dispatching all kinds of nasty alien monsters blocking your path by blowing them up with insane laser guns and explosive weaponry.

Exterminauts is set to launch sometime in the future for Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5 and is now available for wishlisting.

Zoopunk

From the creators of F.I.S.T.: Forged In Shadow Torch comes their new third-person action game set in the same universe called Zoopunk. You play as a group of anthropomorphic warriors fighting to survive in a dieselpunk world filled with killer robots and savage villains.

Zoopunk is set to launch sometime in the future for Xbox Series X|S, PC, and PlayStation 5.

Heroes of Might & Magic 3 Remake

One of the most critically-acclaimed turn-based strategy games of all time, Heroes of Might & Magic 3, is being remade for the modern era with brand new graphics, compatibility with fan-made maps, an expansive campaign, and much more.

The Heroes of Might & Magic 3 Remake will launch sometime in the future for Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5 and is now available for wishlisting.

Final Fantasy VII: Revelation

The last chapter of the Final Fantasy VII: Remake series shows off a new gameplay trailer showcasing the terrible might of the Weapons, a group of powerful boss monsters that will give the player their biggest challenges yet outside of finally confronting the villainous Sephiroth before he destroys the planet.

Final Fantasy VII: Revelation is set to launch in Spring 2027 for Xbox Series X|S, PC, Nintendo Switch 1/2, and PlayStation 5.

The Witcher 3: Wild Hunt Remastered

The beloved open-world action-RPG, The Witcher 3: Wild Hunt, will be receiving a Remastered edition that will include all of the game's post-launch updates and DLC expansions, along with updated visuals, an expanded photo mode, gameplay enhancements, Xbox Play Anywhere support, and much more.

The Witcher 3: Wild Hunt Remastered will launch on September 29, 2026 for Xbox Series X|S, Nintendo Switch 2, PC, and PlayStation 5. If you own a digital copy from previous console generations, you will receive the Remastered edition's upgrades and features for free.

The Witcher 3: Wild Hunt - Songs of the Past

The show then concludes with the world premiere of The Witcher 3: Wild Hunt - Songs of the Past, the last DLC expansion for The Witcher 3. In this expansion, you will travel to a new Continent to uncover its secrets, encounter new and familiar characters, face off against new terrifying monsters, and be forced to make tough moral decisions.

The Witcher 3: Wild Hunt - Songs of the Past is set to launch sometime in the future for Xbox Series X|S, Nintendo Switch 2, PC, and PlayStation 5.

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Just before the Call of Duty: Modern Warfare 4 beta early access weekend started, I wrote an article based on my brief initial play test prior to it going live. It was simply titled "I might have been wrong about Call of Duty: Modern Warfare 4."

I'm not going to go over too much old ground, but the tl;dr was that I expected not to enjoy this year's game at all based on past experience from the Modern Warfare reboot series.

But I am going to follow up after putting some hours in during said early access weekend on whether or not I was actually wrong. And yes, I was. Mostly. It's not perfect by any stretch, but from what I've seen so far, I am actually looking forward to playing this year's Call of Duty after all. But there's still some stuff I don't like.

The good about Call of Duty: Modern Warfare 4

Everything I said previously I liked about Modern Warfare 4 still stands. Possibly more so having shifted from playing on console initially over to PC.

It's easily the best-looking Call of Duty game in recent memory, for starters. The Silkworm map, especially, looks absolutely glorious if you turn up the graphics settings a bit.

But it's the campaign I think that'll really benefit here. We've only had a single mission, Entrenched, to play so far, but the visual appeal is clear, and it's absolutely filled with atmosphere.

The most competitive players will always turn the graphics right down, but for the rest of us, it's nice to be playing a Call of Duty that actually looks like a modern game.

The movement is also, I think, spot on. It doesn't feel as crazy fast as Black Ops 7; you can't jump up walls here, but it's fast enough. And it's only taken players a couple of days to figure out how to exploit it as best they can, be that positive or negative.

But combine the movement with the excellent gunplay, an aim assist that doesn't feel like it's doing all the work for you (at least in my opinion), and some solid weapons, and the core experience is very enjoyable.

I'm also a fan of the way Modern Warfare 4 handles its attachment unlocks. Once you get an attachment, it's automatically unlocked for all of the weapons you can use it on.

The Apex attachments you unlock when you reach max level are also an interesting addition. It's similar, I guess, to the prestige unlocks in Black Ops 7, except you don't lose an attachment slot to use them. They go on top of everything else.

The menu design is also excellent, and overall it's just a really solid player experience. Of particular note is more clarity on the server you're connected to, and I've been seeing low ping across the board.

The bad about Call of Duty: Modern Warfare 4

As good as the gameplay is, I'm not so much of a fan of the maps. There will be more at launch and in subsequent seasons, of course, but I don't think what they've given us in the first beta is the best way to show off this game.

If I have to play Transit 213 again, I'm going to lose my mind. It's another of those Call of Duty maps that are really small, where you're constantly on top of each other, and it falls into what I call the brainrot category.

Think Stakeout from Black Ops 6, Shipment from previous Modern Warfare games. It's not as bad as Shipment, but its only purpose in existing is for people to pad their stats and probably for camo unlocks. Otherwise it's horrible.

Silkworm, while looking amazing, isn't overly fun either. The middle lane is essentially a long open street, so you force yourself down the outer lanes, which both have lengthy open runs, too.

Rooftops feels like it should be a good map, with a mix of external and internal sections paired with elevation changes. But there's something about the way it plays right now that feels a little off.

Of the debuting maps, Cachette is a decent challenge, I feel, and I enjoyed Lotus the most by far. Both feel like they play more into a properly competitive, tactical way of playing rather than just running full speed at the opponents.

The meta also has not and will not change (outside of Ranked Play at least) from UAV spam. They're so easy to get; you'll be spammed constantly with multiple UAVs, and since they give away your positions, you become easy pickings. It also forces you to buy into that meta or be on the backfoot, and I'd rather use my streaks a different way.

I'd love to see Infinity Ward change the UAV so it's harder to get, but I don't see that happening. Add in the Personal Radar Field Upgrade and you may as well just walk around with a glowing beacon on your head inviting your opponents to take you down.

There's also a healthy round of weapon balancing that needs to happen, and I'm sure it will, as it always does. Snipers are obviously strong, but they're way too strong right now and too easy to use. Spawns are also pretty bad right now, but Infinity Ward is already working on that ahead of the second weekend of the beta.

Overall, though, I'm a lot happier with Modern Warfare 4 than I expected to be. Lots would say the last two Black Ops games were bad, and that's their opinion they're entitled to, but I've really enjoyed Black Ops 7 in particular. I usually do when it's a Black Ops game.

But I've gone from trepidation and expecting not to play this year's game (in part thanks to GTA 6 looming) to back on board the Call of Duty train. It's a shame we're not getting to see DMZ in the beta, as that's the mode I'm most excited for, but I am curious to see how Warzone will be. At least we can try that out in the open beta, which begins on Friday, August 28.

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We're mere hours away from Gamescom 2026's epic Opening Night Live ceremony, set to commence on August 25, 2026, at 11:00 am PT / 2:00 pm ET / 8:00 pm CEST / 7:00 BST.

The event will be packed with all kinds of insane game announcements from the likes of CD Projekt Red, Xbox Game Studios, Capcom, Square Enix, and much more.

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Here's where and how you can watch the Gamescom 2026 Opening Night Live ceremony unfold, along with a recap of what kind of game announcements you can expect to see there.

Gamescom 2026 Opening Night Live watch times and platforms

Gamescom 2026 Opening Night Live will premiere on Gamescom's YouTube and Twitch channels and will start at the following times per time zone:

• August 25, 2026, 11:00 am PST
• August 25, 2026, 12:00 pm MDT
• August 25, 2026, 1:00 pm CDT
• August 25, 2026, 2:00 pm EDT
• August 25, 2026, 3:00 pm BRT
• August 25, 2026, 7:00 pm BST
• August 25, 2026, 8:00 pm CEST
• August 26, 2026, 2:00 am CST
• August 26, 2026, 3:00 am JST
• August 26, 2026, 4:00 am AEST
• August 26, 2026, 6:00 am NZST

What can we expect to see during Gamescom 2026 Opening Night Live?

The games confirmed to receive new trailers and announcements during the event include:

• The Witcher 3: Wild Hunt - Songs of the Past
• Final Fantasy VII: Revelation
• Gears of War: E-Day
• Ananta
• Tides of Annihilation
• Metro 2039 
• Game of Thrones: War for Westeros 
• Warlock: Dungeons and Dragons 
• Silent Hill: Townfall
• Path of Exile 2
• Monster Hunter Outlanders
• Cinder City
• EXODUS
• AION2
• Pony Island 2
• Valor Mortis
• Showa American Story
• ONTOS

Of course, like all these high-profile gaming events, Gamescom 2026 will potentially feature world premieres of some unannounced video games and new trailers for upcoming Xbox and PC games and their DLC expansions still in development.

Here's hoping some of my most-anticipated games get new info and trailers at Gamescom 2026, like Monster Hunter Wilds: Ascendence, Spyro: A Realm Beyond, Warhammer 40,000: Dark Heresy, and Persona 6.

🗨️ Over to you

Which confirmed game announcement are you looking forward to the most? Are there any surprise game reveals you want to see, no matter how unlikely they are?

If you have any thoughts on the matter, please let us know through the poll, the comments section, or our Reddit community.

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Michał Nowakowski, the Joint-CEO of CD Projekt Red, has announced on Twitter that the company plans to release the highly-anticipated open-world RPG, The Witcher 4, sometime during the year 2028.

That is a long time to wait (The Witcher 3 came out in 2015, for reference), but CD Projekt Red will keep fans busy in the meantime with new Witcher content, such as The Witcher 3: Wild Hunt's next DLC expansion, Songs of the Past, which is set to launch sometime in 2027 for Xbox Series X|S, PlayStation 5, and PC.

We've been teased about this expansion for months, but now the wait is nearly over as we'll be getting our first glimpse of Songs of the Past's gameplay tomorrow during Gamescom 2026's Opening Night Ceremony on August 25, 2026, 11:00 am PT / 2:00 pm ET / 8:00 pm CEST.

After the ceremony, CD Projekt Red will show off more of this DLC expansion for the general public in Hall 8 at the Gamescom venue in Cologne, Germany, for the rest of the event.

For those who can't attend Gamescom 2026, CD Projekt Red will host special 'Redstreams' every day this week showing off footage of the DLC expansion online, along with a couple of surprises.

Not much information has been disclosed about the 'Songs of the Past' DLC expansion other than that the volume of its content will be on par with the award-winning 'Blood and Wine' expansion.

In fact, its content is apparently so grand in scope that it will drop support for Windows 10 and Xbox One, as the outdated hardware of the previous console and PC generations will be unable to handle it.

Making a DLC expansion on par with the 'Blood and Wine' expansion is no easy feat, as that expansion was so beloved by critics and fans that it won the award for Best RPG at the 2016 Game Awards, managing to beat full-fledged games like Dark Souls 3 and Deus Ex: Mankind Divided.

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Personally, your guess is as good as mine as to what kind of insane and dark adventures await us and Geralt of Rivia in The Witcher 3's next DLC expansion because I have no idea what to expect.

But we won't have to wait anymore for the answers, as tomorrow night Gamescom 2026 will finally pull back the curtain on The Witcher 3: Wild Hunt's 'Songs of the Past' expansion.

One thing's for sure. Whatever this expansion turns out to be, it will be one heck of a good time to kill before The Witcher 4 arrives in 2028.

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Last July, Xbox users finally got their hands on one of the most viral games of the past couple of years. The celebrations were shortlived.

Wuthering Waves is a free-to-play gatcha RPG, similar to the likes of Genshin Impact. Wuthering Waves is available on every platform now, including Xbox, consoles, mobile, and PC, complete with a high-quality story and decent combat depth.

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The game is incredibly popular and has amassed a global audience across every platform, landing itself 30 million~ players across its versions. It won the Player's Choice award at last year's Game Awards, and continues to find growth owing to large free content updates.

Unfortunately, though, the Xbox version is broken.

Wuthering Waves (affectionally nicknamed WuWa by the community) recently got a sizeable content patch, adding new story beats and features to the game. The update has, however, once again put a spotlight on the Xbox version, which seems more broken than ever.

"The situation has worsened as I’ve progressed through the game. I’m currently in Lahai-Roi, and it’s been impossible to play for 40 minutes without the game closing unexpectedly," one user wrote on Reddit. "I play on Xbox Series X, but the same bug persists even on Xbox Cloud Gaming, where high local processing power isn't required. Other players have reported similar issues."

The most recent video showcases new visual glitches introduced in this week's patch, where textures get stretched infinitely across the playspace until the game crashes.

Users have been tracking Wuthering Waves' lack of quality on Xbox since the game launched, and had hoped it would be improved in subsequent updates. Sadly, things have gotten worse rather than better.

There are theories that Wuthering Waves on Xbox is a port of the iOS and Android version of the game, owing to a lack of shadows, foilage, and other post-processing improvements. The PlayStation 5 version is is far far better looking, far less crash-prone, and generally more performant than the Xbox Series X version. This absolutely shouldn't be the case in a game designed to run on low-end mobile phones.

We've reached out to Wuthering Waves' developer Kuro Games via their PR firm to get a comment, but I would be surprised if they offered one up.

If they thought the Xbox audience wasn't worth providing a high-quality port for, I'm confused as to why they bothered spending the money to deliver a port in the first place. Genshin Impact and other HoYoverse gatcha games like Zenless Zone Zero run incredibly well on Xbox. HoYoverse also did dedicated launches for Xbox, complete with bonuses and freebies for new players joining the ranks via Team Green.

Wuthering Waves' treatment of the Xbox audience by comparison has been a sad joke.

There's also some blame to be levied at Microsoft here I would argue. PlayStation demands that developers create visual parity with their multiplatform versions within reason. Xbox's certification processes are also notoriously strict compared to other platforms — what's the point of those apparent strict rules if they allow games like Wuthering Waves to launch in such a lamentable state? It makes Xbox look inferior for one thing, and treats Xbox customers like second class citizens in the other.

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Either way, it sucks for Wuthering Waves fans on Xbox that Kuro Games doesn't seem to consider them worthwhile. I would recommend players stick to HoYoverse options instead. Hopefully Honkai Star Rail makes its way across to Xbox in the future too. PerhaHoYoverse' next big games come to Xbox on day one as well, further reducing the need to consider Wuthering Waves as an option.

If Kuro replies, I'll be sure to update this piece, but I wouldn't hold my breath. They don't seem to care about the Xbox version even slightly.

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Recently, the fan-run Xbox Game Preservation website saw a major surge in votes from players who want classic Transformers games playable on modern Xbox consoles via Xbox Backward Compatibility, with at least 58,489 votes. This number makes Transformers the most-requested third-party franchise fans want preserved on Xbox, and the second-most-requested franchise, behind Skylanders, which has over 163,000 votes.

The games that make up the most of this number (with 33,969 votes combined) are Transformers: War for Cybertron, Transformers: Fall of Cybertron, and Transformers: Devastation. All of these are fantastic games in their own right, especially if you're a longtime Transformer fan like me.

The War for Cybertron and Fall of Cybertron games (released in 2010 and 2012, respectively) are brilliant third-person shooters with grim yet entertaining campaigns and slick gameplay that mixed Gears of War-style gunplay (without cover mechanics because Transformers don't need cover) with Transformers-style transformation mechanics.

Transformers: Devastation (released in 2015) was an equally fun third-person beat-em-up that took the high-octane insanity of Devil May Cry and Bayonetta and applied it to the Transformers universe with an addictive combat system.

Unfortunately, these games have been locked behind the previous Xbox 360 and Xbox One console generations and have not been re-released on modern systems or PC platforms to this day, even after over a decade.

They've also been delisted from digital stores, so the only way to play them (without resorting to piracy) is to track down their physical copies, which are pretty rare these days.

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As someone who grew up with Transformers ever since the incredible (and surprisingly dark) Transformers: Beast Wars series in the 1990s, I loved these games for how fun they were and how faithful they were to the source material (which were the palette cleansers after watching those awful Michael Bay live-action Transformers movies).

After seeing Xbox put effort into its Backward Compatibility program again, I would do some pretty desperate things to see Transformers: War for Cybertron, Transformers: Fall of Cybertron, and Transformers: Devastation playable again on Xbox Series X|S and Xbox on PC.

After all, if long-forgotten games like Blinx the Time Sweeper and Conker: Live and Reloaded can be brought back via Xbox Backward Compatibility, then don't these awesome Transformers games deserve a revival too?

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From the get go, as soon as I heard that Call of Duty: Modern Warfare 4 would be this year's entry in Microsoft's biggest franchise, my head dropped.

Since Modern Warfare was rebooted, it's been my least favorite. Modern Warfare (2019) was OK, and I played it for a little while but lost interest quicker than in any previous Call of Duty. I barely touched the two that came after it.

I've always preferred Black Ops, and while the last two in that series haven't been perfect by any means, I've really enjoyed playing them. But I've now finally played Modern Warfare 4 for the first time as part of Call of Duty: NEXT, and I'm man enough to admit my initial trepidation may well have been way off base.

I'll preface this by saying I haven't seen much of the game so far. I'll be enjoying the full multiplayer experience, that campaign mission, and the new Warzone map for the first time during the beta like everyone else.

But what I have already experienced has given me hope, because two aspects in particular I was expecting not to enjoy have turned out to be far better than I anticipated: Movement and gunplay.

Call of Duty: Modern Warfare 4's movement feels good

I'm no "movement demon" on Black Ops 7, but I do enjoy the fast fluidity to it. I enjoy the pace of Call of Duty when it's flying along, and I appreciate that not everyone does. I don't enjoy slower-paced, more tactical shooters nearly as much.

I just want to run, gun, and then run and gun again. Have some fun.

Modern Warfare 4 is more grounded in that there's no wall jumping, but it still feels fluid. The pace isn't quite at Black Ops 7 level, but it's not slow. Sliding is smooth but doesn't feel ridiculous, and I think the best way I can describe the movement overall is that everything feels deliberate.

You don't feel like a superhero. You feel like you have some weight behind you, like you can't just use movement to get you out of a hole. You actually need to know what you're doing.

I like Modern Warfare 4's gunplay

Again, this is based on only a very brief playtest before the beta opens, but so far I like the gunplay a lot. The way the weapons move as you're running, the way they move when you're firing, and even the way the whole experience looks.

It's pretty satisfying.

Of course, I haven't yet experienced levelling up weapons, strapping on attachments, and such, but I do hope that we don't end up in a position, as we do every year, where there's a single meta that makes every weapon shoot like a laser beam with no recoil.

As it stands out of the gate, I like the recoil, and I like that you actually need to be able to aim a little to hit your shots. I'm not very good, but I like it.

It feels good hitting your shots, especially with a pistol. Call of Duty isn't realistic by any stretch, but Modern Warfare 4 so far seems to be headed in a better direction in this aspect than the last two Black Ops games.

Visually Modern Warfare 4 is the best Call of Duty in a while

Nobody plays Call of Duty because it's a particularly good-looking game, and those who indulge primarily in PvP action on PC always turn the graphics down anyway to get the extra frames. Console players can't do that, so there needs to be a balance.

I've played so far on the Xbox Series X, and I think Modern Warfare 4 looks pretty good. Certainly more like you'd expect a modern shooter to look.

Part of this, I do wonder, is it down to the decision to ditch last-gen consoles? I played Black Ops 7's beta last year on an Xbox One X, and it wasn't great. Visually it looked fine, close enough to the Xbox Series X, but the frame rate was awful. But I also felt like the last-gen consoles were holding back the visuals on the more modern systems.

Everything about the visuals on Modern Warfare 4 so far feels like an upgrade over Black Ops 7. The lighting is nice, textures are decent, and I think the weapons look fantastic. It's just generally all-around nice to look at.

Black Ops 6 and Black Ops 7 were OK, and I get that Modern Warfare has a whole different aesthetic, but it feels less 'fake' and altogether a more pleasing environment.

That's not to say that there isn't plenty more that needs to be experienced to decide whether Modern Warfare 4 is a "good game" or not. There's still the matchmaking experience, for example, that could make or break things, and plenty of other decisions that could affect the player experience.

But on the face of it, I'm prepared to admit my preconceptions were wrong that I'd immediately dislike this game. The fundamentals of it are a lot better than I expected.

Like everyone else, I'll be really getting to grips with Modern Warfare 4 during this weekend's early access beta. Things kick off today, Friday, August 21, at 9am Pacific for Call of Duty: NEXT, with access for everyone else with a code beginning at 11am Pacific.

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It hasn't been a fun week if you're working on Grand Theft Auto 6.

GTA is no stranger to controversy, but this year seems to have cranked it up a notch. Take-Two has thrown the rule book out of the window for traditional game launches, and it's to be expected given the scale and hype around GTA 6. People have been waiting well over a decade for a follow up to GTA V, in what promises to be potentially the biggest entertainment launch in history.

Take-Two has raised the ire of long-time fans, however, partially for the price of GTA 6, but also for cutting out standard features and placing them in a $100 edition. Take-Two has also paywalled the first real GTA 6 gameplay footage behind a Netflix subscription, set for premier on August 27, 2026. Then came the hackers.

A self-styled group known as Cyberleeks began spreading footage of GTA 6 on X and other sites last week. The leakers are drip-feeding content from the build, while taking donations in crypto currency. The leaks have knocked Take-Two's share price down 2% over the past week, although it's still up 6% for the year overall. Either way, the firm isn't taking the leaks lying down.

Shared by Kotaku, the subpeona filed in New York City in the United States, calls on Microsoft, Discord, Google, and others to produce evidence that could lead to the arrest of the leakers.

"The copyrighted material includes but is not limited to audio visual content, artwork, images, dialogue, or other creative elements. Take-Two, through its counsel of record, has submitted a sworn declaration confirming that the purpose for which the DMCA subpoena is sought is to obtain the identity of an alleged infringer or infringers, and that such information will only be used for the purpose of protecting Take-Two’s rights."

"All internal Microsoft business records and investigative records associated with Microsoft’s internal investigation of the ‘cyberleek’ persona sufficient to identify the user(s), person(s) and/or entity/ies associated with that persona."

It's unclear what involvement Microsoft has here directly, although the subpoena suggests Microsoft is conducting an internal investigation of its own into the leaks. There had been some rumors that the GTA 6 builds had emerged from an Xbox dev kit, although it's unclear exactly if that's true right now.

Either way, Microsoft's vast cloud platform means that it often acts as a first layer of cyber defence for all sorts of companies and even nation states. There's at least some potential here that the Cyberleeks group used or accessed Xbox or Microsoft services in their activities. It could be that the leaked build pings back to Microsoft's Xbox servers, for example, either for uploading telemetry or accessing online services.

Take-Two has also requested information from Discord and Google, and I wouldn't be surprised if they eventually subpoena the crypto exchanges Cyberleeks are using as well.

Grand Theft Auto 6 is set for launch on November 19, 2026, exclusively on Xbox Series X|S and PS5. Other major games have been desperately trying to tailor their launches away from GTA 6, leaving the November launch window somewhat barren.

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A limited-edition translucent green Series X console was unveiled earlier this year at the Xbox Showcase as the "Xbox Series X25", planned for release in November with no confirmed pricing, alongside a matching Series X|S wireless controller.

Fans who attended the show were told they'd receive one for free, but regular consumers have been left in the dark until an apparent €899.99 European price and November 27 release were revealed by "billbil-kun" via Dealabs' High-Tech magazine earlier today.

It's connected to a previous rumor that potential pre-orders for the translucent controller could start during Gamescom 2026, but billbil-kun couldn't confirm whether that aligns with listings for the Series X25 console. Interestingly, Black Friday lands on November 27 this year, kicking off the holiday shopping season.

How much will the Series X25 cost in the US?

Right now, a standard Xbox Series X "1TB Disc Drive Carbon Black" on the official Xbox Store costs €799.99 in France and $799.99 in the US. The same currency-symbol switch applies in the same way to the "1TB All-Digital Robot White" at €749.99/$749.99, so it's reasonable to assume that the limited-edition Xbox Series X25 could cost $899.99.

Dealabs rightly assumes the same, with another translation explaining, "the equivalent of this price is expected to be $899.99 in the US," putting what is otherwise a functionally identical Xbox Series X console at $100 above its standard variant for the benefit of its "OG Green" shell and green-tinted light on its power button.

It all follows Microsoft's earlier hardware price hike announcement, which increased the Xbox Series X price from $649.99 to its current $799.99. That $150 increase was already unpopular among Xbox fans, and particularly so with our readers, who voted that "Xbox consoles are too expensive now." If the price leak is true, asking for another $100 will presumably be equally shunned.

Since the start of its 25th-anniversary celebrations, I've been more interested in the translucent green controller. The original console is special to me, but I can't justify spending hundreds of dollars on something like a build-your-own OG Xbox console. I'm keeping my fingers crossed for an affordable X25 joypad.

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Grand Theft Auto VI has been hogging the limelight lately, and for all the wrong reasons. Hackers have been leaking bits of gameplay and other info online, and gamers are gobbling it up ahead of the expected November 19, 2026, release date.

I'm trying to avoid as many spoilers as possible by not viewing the leaks, and besides, I have something better to keep me busy until GTA VI's official launch.

I'm talking about the Grand Theft Auto IV RTX Remix mod that adds Path Tracing to the 18-year-old game.

It's the work of a modder known as xoxor4d, who last week released version 1.4.2 of the mod on GitHub. The mod is compatible with GTA IV: The Complete Edition version 1.2.0.59, and it truly makes the 2008 car-jacking hit feel like it was released in 2026.

What does the RTX Remix mod do to Grand Theft Auto IV?

I know that the GTA IV Remix mod has been out for a while now, but I hadn't been following it that closely. Oh boy, it has come a long way since launch, and it's great to see the project's creator is keeping up with maintenance and new features.

I was reintroduced to the project via the maxrenderedgaming YouTube channel, where the mod was shown off using an NVIDIA RTX 5090 GPU.

There are certainly some other mods at play here, which I dig into a bit deeper below, but one thing is for sure: this is an incredible mod that changes the whole grimy, gray feel of the original game.

GTA IV arrived all those years ago with graphics that seemed mind-blowingly good, as is usually the case with Rockstar titles. Looking at the game's stock graphics now, well, you can tell that they're from a bygone era.

The RTX Remix mod drastically changes the appearance. The game's default static lighting has been replaced entirely with full path tracing, making rays jump and bounce off of surfaces quite realistically. Dynamic shadows look better than ever. It really is the best I've ever seen Liberty City look.

My plan is to first get the RTX Remix compatibility mod set up from the project's GitHub page. Next, I'm going to download the 4K Textures Warcaco Graphics Mod to really see what my PC's RTX 5070 Ti can handle.

Here are some screenshots from the texture mod that I know will make you want to play GTA IV again, too.

To say that this combination makes GTA IV look like a completely different game is an understatement. However, you're going to need a beast of a PC if you want to run this combination with any sort of playable success.

The demo video I provided above has the modded game dropping as low as about 60 FPS in some areas, and the GitHub project page notes that your CPU will likely be a bottleneck due to "the amount of detailed meshes the game is rendering."

Be that as it may, I definitely think any fans of GTA should give this one a shot just to see how it performs on their hardware.

NVIDIA's RTX Remix is a big deal, and not just because of one mod

I know, I know, more AI from NVIDIA's RTX division. Some of you might not want to hear of it, but I'm convinced that Remix is the real deal.

Remix arrived in January 2024 as an open-source and free tool, and it's been under development since. It's a clever way to inject path tracing, upscaling, and other materials into old favorites without needing any source code access.

Anyone with the right ambition can give Remix a shot, and there are some other projects I recommend checking out. Portal with RTX and Half-Life 2 RTX are probably the best examples, but they were spearheaded by NVIDIA. It's great to see lone developers jumping into the tool to create their own works.

Considering GTA VI isn't expected to launch with path tracing, and the fact that GTA V only supports ray tracing, this might be the best way to play Grand Theft Auto until the next installment arrives.

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A buildable recreation of the original Xbox from 2001 is coming from Mattel Brick Shop, technically under the same brand umbrella as the MEGA-branded 3:4 scale Xbox 360 from 2023. Listing the "Microsoft Xbox Building Toy Kit For Collectors" without a firm release date for $329.99 at Best Buy, and even less information at Amazon, the pricey set hides some nostalgic dioramas inside.

Alongside the chunky console itself is a close-enough representation of the original "Duke" controller, and three internal displays based on popular titles from the console's lifespan. Miniature set pieces from Halo, Psychonauts, and The Elder Scrolls III: Morrowind have built-in lighting that's activated by the Duke joypad and fit comfortably inside this 1:1 set with 3,509 pieces.

Slightly bigger, but a lot more expensive

I'm admittedly the target audience for this sort of thing; a total sucker for nostalgia. I already own LEGO models of the SEGA Mega Drive (Genesis) console and its controller, displayed on shelves alongside other happy memories from my childhood. A full-sized, 1:1 recreation of the gigantic original Xbox wouldn't fit with it, but I'm sure I'd find somewhere else.

This isn't LEGO, though. It's the other brand, and it's asking a lot more money for this more complicated representation of Microsoft's hardware than Mattel's bricked-up Xbox 360 set that launched for $150 — one I already skipped. Asking over $300 for a follow-up toy feels steep, especially when many of us could find the real console on eBay for less.

On the other hand, the cute Morrowind feature appeals to a very specific part of my nostalgic heart, and ditto for Psychonauts. Still, to show off those parts and have them all visible, I'd need some serious display space. At that point, I'd rather buy the dioramas separately and show those off instead of a set that just looks like the real thing from a distance.

It's a neat way to celebrate Xbox's 25th anniversary, but I'm still patiently waiting for that translucent green Series X|S joypad instead. Rumor has it we'll see controller reservations opening at Gamescom for an October 20 release (via @eXtas1stv). Fingers crossed. I only have so much disposable income to burn on nostalgic accessories before my family starts getting concerned.

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Xbox has been on a bit of a tear recently with platform updates, and Microsoft just announced another raft of improvements big and small.

The biggest features recently include boosts to how Xbox Cloud saves work, the ability to record your own voice in gameplay clips, and improvements on Xbox achievement visibility. Announced today on Xbox Wire, we're now getting some other goodies, set to go live later today to Alpha Skip-Ahead and Alpha members.

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Here's what's new for Xbox Insiders today

• Users can now customize any item in the recent games and apps list.

Using the Menu button (start button) you can remove items from the list of recents apps and games, including the "Play History" segment which some don't find as useful as others. I personally like it, but understand those who don't.

• You can also hide all the home screen tiles by pressing the right stick, leaving your dynamic background to take center stage on your TV.

This is a fun cosmetic change I've seen people ask for. Xbox has a range of dynamic backgrounds which are hidden by the tiles and ads on the home screen. If you want to show off your dynamic background and turn your wall-mounted TV into an interactive work of art, now you can, simply by pressing the right stick. Would be cool if they could add slideshows to this in the future too. A connected OneDrive photos album might be rad.

• Improvements to local game storage management.

Microsoft is now letting you manage local game saves more easily, giving you the ability to sort save files by size. For those using smaller storage solutions, sometimes games can take up deceptively large amounts of space. In the new Settings > System > Storage > Manage Local Game Saves section, you can now see all of your local saves in one place, and delete them at will.

If you eventually want to play the game again, Xbox will download your most recent save file from the cloud instead, saving you local storage. Xbox Cloud saves are free by the way, unlike many other platforms.

• You can now click into profile badges, giving users an explanation of what they represent.

Xbox profile badges are getting a big improvement. You can now click on a user's profile badge to see an explanation of what the badge represents.

Part of me is wondering whether this change is designed to facilitate Xbox's future "Platinum" trophies. I wouldn't be surprised if the reward for 100%'ing an Xbox game's achievements comes not with a "platinum" trophy, but instead a custom badge you can place on your profile instead. It would give developers an extra way to let their biggest fans show off some flair for their games, but we'll have to wait and see on that.

• More wishlist improvements.

Wishlisting games has become a major part of the industry's marketing layer, with Steam wishlists becoming a cornerstone for financial projections on how well a game is likely to perform. Microsoft is also trying to ride this wave, adding a variety of improvements and visibility options for its own wishlisting system.

Now, purchased games will automatically be removed from your wishlist for example, which I think is a good change considering how often I've fallen afoul of this one.

I think Microsoft could/should do more to surface wishlisting features on the web, and I'm sure they're working on doing more in this space.

More goodies

The Xbox Insider Program has been pretty boring the last few years, with Microsoft's engineering teams focusing primarily on features like Xbox Cloud Gaming and things beyond Xbox Series X|S. With Xbox CEO Asha Sharma coming on board, the focus has returned to the core user base (namely us), delivering many long-awaited improvements a lot of us have been asking for for over a decade in some cases.

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Microsoft says this update will hit Xbox Insiders on the Alpha Skip Ahead and Alpha rings today, with other updates arriving for all users as well more quickly.

If you want to leave feedback for the Xbox Series X|S OS, you should check out the Xbox Feedback Portal over here.

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As the dust settles from Microsoft's big summer layoffs, many of those impacted are still enduring. Whether it's visa expiry countdown timers, supporting their families, paying bills, etc., the gaming industry in general has a variety of problems, and it's more often than not workers and developers paying the price.

For whatever reason, Microsoft seems to be disproportionately targeting Bethesda and ZeniMax for this layoff round. Hundreds of staffers from teams like ZeniMax Online Studios were laid off, and it looks like Arkane Lyon might end up being spun off to another publisher or taken independent. A lot of the alarm among the gaming community has focused on id Software, whose penchant for consistent quality and stewardship of the legendary DOOM IP has, in my view, represented a highlight of Microsoft's general gaming output.

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Recently, id Software's Chris Hays spoke on a podcast, stating that Microsoft had left legendary DOOM maker id Software a shell of its former self, noting that it was "impossible" for the studio to deliver AAA games like DOOM 2016 with its current staffing levels. Rumors began swirling that Microsoft had well and truly gutted id Software, relegating its potential to a support studio, potentially ditching its legendary id Tech engine and focusing on building Unreal Engine games with other Microsoft studios.

I wanted to begin to learn more about what the truth is — and ultimately the proof will emerge when id Software's next title does eventually materialize. But it seems clear that id Software has been significantly disrupted by Microsoft's actions, and the path back to the top might be a tough one.

The impact of Xbox's id Software layoffs

One person I spoke to recently was Andrew Willis, who was id Software's VFX/Technical Art and Design Producer and most recently worked on DOOM: The Dark Ages and its (very awesome) Revelations DLC.

He explained Microsoft was very blunt with its announcements, which had been rumored in the press for a hot minute. Microsoft told id Software staff not to come into the office on July 6th, then invited everyone onto Microsoft Teams.

"I received a Microsoft Teams invite, there were about 95 of us, no cameras on with chat disabled, everyone muted except [Executive Producer] Marty Stratton. He took about 50 seconds to say that if you were on this call, your positions were eliminated. He said it wasn't a reflection on our performance," Willis explained.

I asked Willis to touch on something other Xbox studio leads have told me in recent months — that Microsoft poorly communicated its metrics for success. Not a couple of weeks before Microsoft shut down and later sold off Tango Gameworks a few years back, they'd called its most recent game 'Hi-Fi Rush' a big success.

"They never explained anything." Willis said, "They never told us what metric they wanted, which is extremely confusing given Xbox Game Pass. If there was something they wanted (downloads, playtime, Game Pass subscriptions, etc.), they never told us." Willis said that had id Software known what targets they were supposed to be hitting, they would've been able to design around it.

"It was frustrating to get laid off before we even saw how successful the [Revelations] DLC was. How can you lay off a team right before they release what gets called 'their best work yet'?"

Willis has been joined by other id Software and ZeniMax union members in protests at Bethesda's HQ in the United States, with more planned in the future.

I also spoke to Executive Producer Marty Stratton, who has been with id Software for over 25 years. Stratton remarked on the "emotion and pain" surrounding id Software's layoffs, but also spoke about the studio's future capabilities.

"I start a lot of conversations internally on how much I understand the emotion and the pain of the layoffs. It really is that. Any time I'm talking about the future, none of that is meant to diminish what people have gone through and their friends and colleagues who have been around for a very, very long time in some cases. I want to make sure that people understand that."

The future of id Software

A lot of the conjecture around id Software's future revolves around just how much capacity the studio is going to realistically have moving forward. It seems as though the studio has lost more than half of its staffers, wiping out decades of expertise and institutional knowledge, reducing the studio to roughly the same size it was when it shipped DOOM (2016).

Some have worried that id Software might be forced to ditch id Tech in favor of Unreal Engine to leverage contractors and the like. Some have expressed concerns that id Software will be reduced to a "support studio" of other Xbox projects; Stratton tells me that isn't the case. id Software will continue to make its own games, lead its projects, and also develop the id Tech engine, says Stratton.

"We're all in on id Tech; we're not moving to Unreal Engine," Stratton tells me. Stratton emphasized that MachineGames, of Wolfenstein fame, also remains all-in on id Tech, and the two studios will collaborate more closely on the tech stack moving forward.

"We had a meeting yesterday with five or six tech directors; sometimes you wish that the audience could've been in that tech meeting to see some of the excitement around some of this stuff. I don't think people should worry; we're going to continue to be a tech powerhouse moving forward."

Former VFX/Technical Art Producer Andrew Willis was a lot less upbeat about the near term. I asked Willis if he felt id Software's previous comments about the studio being the "same size" as it was for DOOM (2016) were cause for optimism for fans.

"This has been one of the most frustrating mischaracterizations I've seen. It is just damage control," Willis said. "Id is now objectively smaller than it was during 2016. They also fired 2/3rds of the folks that were left from 2016; these would be the people who have the experience needed to make a game like that. There are still amazing people there, no doubt. Some of my best friends still work there. But the amount of institutional knowledge lost was just incredible."

I noted to id Software Executive Producer Marty Stratton that fans are generally concerned about the capacity for id to deliver at the quality bar the team has become known for. He said that the recent QuakeCon event, while tough, had been a boost for the community.

"It was nice to be able to kind of share with attendees that, 'you know, hey, we're doing fine. It's tough, but we're going to move forward.' We've always persevered as a studio. We're going to again, we're going to continue to make great games, with great technology. And, like always, you know, we really appreciate the passion and support that they bring to us and the fuel that that gives us."

The industry is in a tough spot

Regardless of the reasons why this happened, the human cost is always the most apparent thing in my mind. Hundreds of staffers across Microsoft have had their lives upended, in Stratton's own words, with no reflection on their performance or skill.

As for id Software, the beloved DOOM maker seems like it will persevere and fight through, but Stratton also acknowledged that the ultimate proof of id Software's future viability will need to come through in the work.

"The verdict is going to be in how we move forward, what we deliver to fans, and whether or not that meets the bar. That's how we go into every single project we make. That's how we're going into what we're doing next."

"As hard as it's been, you know, over the course of the last month to have friends and long-time colleagues leave. I've been here 26 years now. This was my 26th anniversary. When I started, we were 12 people. We finished Doom 3 with 19 people. And again, I know it's a long time ago. That's an old game. Things change; we go through lots of transitions, but every single dev project is different from, you know, this combination of people, technological capability, and then marrying that to a design ambition. And I really believe in our team's ability to create amazing work moving forward."

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The industry has huge challenges, but the disruption from non-gaming external factors is also a stressor. Microsoft is ironically one of the causes of those stressors, in partially facilitating the memory and component crisis, as it chases an uncertain AI bet that at least today, seems to be causing more problems than it's purported to solve.

"I would say to hang in there to developers," Andrew Willis offered. "To fans, I'd say please support the developers during this tough time. We all care about and love games like you, and we need to stop the people who do not care about game industry from ruining it."

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Back in August 2015, Microsoft was working to link console, PC, and mobile gaming into a single network. Coverage at the time framed this "games everywhere" approach as a major shift, with Windows, ironically, serving as the central hub to keep game libraries synced across devices. Phil Spencer was early in his tenure, working through the fallout of the Xbox One's rocky launch and its controversial DRM policies. Industry observers remained skeptical, and players questioned whether Microsoft could actually pull off cross-platform play and cloud integration.

Eleven years later, that initial push sits at the center of Xbox's modern business model. Under Asha Sharma, Microsoft Gaming has pulled back on its controversial "This is an Xbox campaign," trying to reprioritize the console, while deemphasizing Copilot AI. Indeed, there is a big list of things that need fixing. Oh, and apparently it's now XBOX.

The original questions around brand identity and hardware relevance haven't gone away, but their context has completely changed. Looking back at this 2015 report shows that the foundation for today's strategy was already being built, even if the execution took over a decade to solidify (if you can even call it that). — Daniel Rubino, Editor-in-Chief.

The original article below, "The future of Xbox is bright, and it's everywhere," was published on August 13th, 2015, by Richard Devine.

Gamescom 2015 was a blast for Xbox fans. Just as E3 was before it. Microsoft keeps floating the phrase, "the best games line up in Xbox history," and it's probably true. After a flaky launch for the Xbox One by anyone's standards, under Phil Spencer's stewardship things are going in the right direction.

And that direction is out. Xbox is finally becoming something bigger than the box that sits under your television. Gaming is important to Microsoft, and Xbox is its brand. Everywhere.

There have been smatterings of it outside the console for a while, like Xbox Live Achievement support for Windows 8 and Windows Phone games, and the now revoked Xbox branding for Microsoft's music and video services. With the removal of the latter, Xbox is now exactly what it should be for Microsoft. It's all about the games.

The big push really began in January when Spencer appeared at Microsoft's big Windows 10 event. It was the launch of Xbox on Windows 10 and while it all sounded grand, as the months have passed the vision has become so much clearer. Phones, tablets, PCs, consoles, HoloLens, Xbox is going to be everywhere. Cross-buy, cross-play and game streaming are but the beginning.

Take this quote from Spencer in a recent interview with Polygon as an example:

Our recent trip to Cologne for Gamescom helped further put this into perspective. The vast space that was the Xbox booth was lined with both consoles and Windows 10 side-by-side. Windows wasn't shoved away in a corner; it was right there alongside the biggest new titles Microsoft had to show. Games like Fable Legends and Gigantic played together on both platforms. The only difference, your preference for a controller or keyboard and mouse.

Windows 10 is a big step forward for Microsoft in so many spaces. It's allowing the company to do things that it, nor anyone else has done before. Sure, Sony has dabbled with game streaming, but unless you own a PlayStation and at least one other Sony product, it's useless. How many more people already have what they need to stream Xbox One games? A Windows PC. Sony can't boast what Microsoft is able to do with its games on Windows 10. No-one can.

It's also going to become, I believe, less important to focus on how many consoles Microsoft sells versus Sony. And that's because of the platform. In the same way that a smartphone is a way to deliver Microsoft services to your pocket, the Xbox One will be a way to deliver Xbox to your living room. With Xbox as the games platform available here and on hundreds of millions of Windows 10 PCs around the world, who really gets the bigger marketshare?

And let's not forget that as of Windows 10, official Xbox peripherals, including the forthcoming Elite Controller, are compatible out of the box. Just plug 'em in and away you go.

We're only at the beginning. There's so much to look forward to that we do and don't know about. The new Xbox One experience powered by Windows 10, cross-play games like Gigantic, Fable Legends and Killer Instinct, not to mention Halo Wars 2 in 2016. Engineers have told us that yes, they'd love to reverse the Xbox One game streaming feature, but whether it happens or not is still an open question. The Xbox app on Windows 10 will get better every month and we've got things like Crackdown 3, leveraging the power of the Microsoft cloud, to look forward to.

To sum up, I heard this phrase while at Gamescom that I think says everything. What if you could imagine a future where there weren't Xbox One games and Windows games, there were just Xbox games.

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If you're subscribed to Xbox Game Pass, you'll have a wave of new games hitting your app over the next few days — with titles coming to Series X|S consoles, PC, and devices that support the ever-expanding Xbox Cloud Gaming platform — with new picks hitting Ultimate and Premium tiers.

It starts with Egging On launching today, August 18, which you might recognize from last year's ID@Xbox showcase. If you ever played "A Difficult Game About Climbing" on Steam, or any of its many rage-inducing derivatives, you'll know what to expect from this, and how much patience to bring with you.

You can see more after the jump, but the less exciting news is the expiration of The Witcher 3: The Wild Hunt Remastered Edition — leaving Game Pass for cloud and consoles on August 31. The successful and nonlinear monster slayer's "Complete Edition" had only joined Game Pass in February this year, so if you abandoned a half-finished save, your time is running out (via Xbox Wire).

Goodbye Geralt, and shoutout to Starsand

The Witcher 3: Wild Hunt is one of those gigantic role-playing games with a 50+ hour story, and even more on offer for completionists. It's just huge. The game's Remastered Edition was only recently offered up to xCloud and console players, so I hadn't been tempted by it as a primary PC Game Pass player, but it's a shame to see it leave relatively quickly.

When I had played it, I became so distracted by collecting flowers, herbs, and other busybody side quests that I never actually finished the mainline story. Nevertheless, I know I enjoyed the game and loved roaming its world and listening to its quality voice acting (and noting the interesting accent choices for certain comical NPCs), so try it before it's gone.

I'll get around to it one day. For now, I'm intrigued by the Ghibli-esque life sim, Starsand Island, as it fits the kind of cozy co-op time drainers that my wife and I enjoy playing on a quiet evening. It's definitely different from The Witcher's world, but paying for Game Pass gives us a chance to try it out on PC or console with our Ultimate subscription.

Game Pass in August 2026

• Available today
  • Egging On (August 18)
• Coming soon
  • Vapor World: Over the Mind (August 19)
  • BlazBlue Entropy Effect X (August 19)
  • Relooted (August 19)
  • Starsand Island (August 20)
  • Aerial_Knight's DropShot (August 25)
  • Blood Dungeon (August 25)
  • Resonance: A Plague Tale Legacy (August 27)
  • Young Suns (August 31)
  • Shelldiver (September 1)
• Leaving August 31
  • Another Crab's Treasure
  • I Am Your Beast
  • Neon Abyss
  • One Lonely Outpost
  • The Witcher 3: The Wild Hunt Remastered Edition
• Leaving September 6
  • NBA 2K26

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Everyone on the internet is angry. I guess that's nothing new, but are things worse than usual?

Over the past week, the X (Twitter) algorithm has been serving me more negativity than usual. When your feeds are algorithmic, you have to stay cognizant of the fact that the platform has basically engineered what you see. Platforms like X, Instagram, etc. have billions of posts covering thousands upon thousands of topics. What you engage with is ultimately what you end up seeing. For me, that's obviously gaming and Microsoft-adjacent topics.

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For whatever reason, X has been boosting visibility for negativity on a variety of upcoming and recently released games. Wolverine for PS5 for example, is currently the subject of memes and mockery. GTA 6 also has a pretty broad hate campaign going on, and Halo Campaign Evolved too has been picked apart and torn to shreds as well.

Are things worse than usual? Is this par for the course? Have you noticed an upswing in negative discourse? Or is it all symptomatic of something else ...?

How much is grift, how much is genuine?

At least with regards to X, since the platform began paying people for their tweets, it seems to have amplified and incentivized some negative behaviors. Humans seem hard wired to engage with negativity in general, and there's likely evolutionary reasons for it if you dig deep enough — avoiding and mitigating negative outcomes is a survival trait oft-exploited by social media platforms to boost engagement. Everyone knows it. Articles with negative headlines simply get more clicks, with Google etc. use as a positive signal. It's why you'll more often see negative headlines even if the outlet or author in question tries to keep things balanced — positive content simply doesn't surface as often.

I do my absolute best to stay out of it and keep things balanced, but the algorithm doesn't really help my visibility therein. I get as many hate comments saying I'm an Xbox shill as I do saying I'm an Xbox hater, because it's ultimately the algorithm that decides which aspects of my content you see.

It could be a simple case of algorithmic perception here on my end, but I also see an uptick in people commenting on said negativity and nitpicking. Whether it's recent games like Wolverine or hate campaigns against recent movies like Nolan's The Odyssey, needless politicization and polarization seems to be social media strategy du jour right now.

There should always be room for genuine, constructive criticism of course. I'd argue that even less-constructive criticism is valid in a free speech context as long as you know you'll get push back for anything that is either outright dumb or at the very least, ill-conceived.

Where it becomes exhausting is when it's either obviously in bad faith or steeped in some kind of agenda. I think in the case of Wolverine for PS5 for example, it's getting a lot of collateral negativity right now owing to PlayStation's decision to kill physical discs — a plan that has large swaths of the internet up in arms. It reminds me of negative blowback some Xbox One games got back in the day unfairly too in my view, like RYSE, Killer Instinct, and even Titanfall, as Xbox's DRM plan was met with similar consternation fairly or not.

People seem to be mocking Wolverine based on a slice of gameplay that showcases some cinematic gameplay, with users suggesting it seems too "on rails" or something. I'm curious if those users have ever played a cinematic action game before ... because these sequences are hardly representative of the full package. Maybe I'm wrong, but it just seems like hate for the sake of hate, rather than genuine feedback.

Grand Theft Auto 6 also has a huge amount of hate flowing towards it right now, partially for Netflix's "exclusive" trailer, partially for its pay-walling of features behind expensive deluxe editions. People seem to be actively hoping for some of these games to fail, and it all seems to share a common thread.

Sometimes it seems to be less about the gameplay really. People seem to be less tolerant and more aware of corporate greed than I've known in previous years covering this industry, and maybe they're using other avenues to express it — regardless of the collateral.

It feels beyond gaming too

The problem is that the anger is feeding grifters who are less concerned with actual corporate shenanigans, and more interested in riding negativity to highlight a political agenda. Many of these people evidently don't even game with any regularity, and have just seen an opportunity to farm engagement.

Furthermore, I'd argue the grift, political or not, buries legitimate feedback at times. I'm not sure humans were designed to be subjected to 24/7 drip feeds of negativity, least of all individual game developers and creators who aren't responsible for the decisions of their higher ups. I have written some pretty scathing critiques of World of Warcraft's writing in recent months, but I'd hope that they're at least constructive and presented in good faith.

Perhaps people are just generally angry right now too. Wealth inequality has become absurd. Global economies revolve around benefitting the few over the many, with opportunities limited and honest work no longer providing a decent quality of life.

Perhaps gaming is a convenient outlet for expressing anger that isn't necessarily stemming from gaming directly. Gaming companies are visible online and individuals who work there often interact with the public, unlike other types of industries.

It perplexes me somewhat, because I feel as though I've got more high-quality games to play than I've ever had access to in my life. Mortal Shell II just came out and it's awesome, Star Wars Zero Company is on the horizon and that seems awesome too. Gears of War: E-Day plays fantastically well too. Onimusha is almost here, that seems excellent as well from what I've played. Blood of the Dawn Walker looks interesting. There are dozens of indie games I haven't gotten around to yet that I want to play as well.

There's plenty of games that have disappointed me ... but I tend to just move on from those, rather than make hating them my entire personality. They're just video games, right? Something else will come along, something better.

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But I could also be wrong, sure. Maybe I'm naïve and overly optimistic, or am more tolerant of the issues. The gaming industry is facing unprecedented disruption, producing more layoffs than I've ever known since doing this. Traditional gaming audiences are being devoured by non-gaming activities and spend, and users are spending more time in free-to-play games without actually spending any money. Ownership rights are under threat by digitization. It's unclear if our hobby will even be affordable in the future thanks to Team Altman hogging all the RAM.

It's an odd thing: there's more games worth playing than ever, but more reasons to be genuinely concerned about the direction of the industry as well.

What's your take? Is it all just a social media bubble? Are games actually worse than ever? Are people aging out and don't want to accept it? I want to hear your thoughts.

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When I saw the first Mortal Shell 2 trailer, I didn’t think this was a sequel in any way, shape, or form, at least, not until the title screen cropped up. One person on my team said, “Dude, I can’t wait,” which had me super confused. You see, I didn’t really like the original Mortal Shell. Cool concept, but I was very “meh” on it.

So why make a sequel? The first game wasn’t exactly setting the world on fire. It felt clunky and awkward and honestly suffered from a case of the mid. I’ve heard plenty of other Soulslike fans say it wasn’t worth their time, and I’m right there with them.

That’s when I saw gameplay and immediately corrected my original impulse. This wasn’t a sequel; rather, it was an entirely revamped adventure, becoming an experience that I imagine the developers, Cold Symmetry, wanted the original game to be. The world was deliciously dark, painted by brutal combat, adhered to by a diverse set of shells, abilities, and areas for players to blindly lose themselves in.

Mortal Shell 2 is every bit of a do-over that Lords of the Fallen took when they jumped from the first 2014 title to 2023. Expanding, refining, and rediscovering the original hook in a way that not only feels right at home as a Soulslike but also as a rarity, feels unique enough that it’s not a simple Dark Souls knock-off like so many try to be.

This review was conducted using a pre-release code of Mortal Shell 2 provided to Windows Central by Cold Symmetry. The company had no input or prior knowledge of its content.

Mortal Shell 2: Gameplay

Normally, I’d kick things off with a nod to the story, since that can be just as important as gameplay. But this is a Soulslike, so let’s get real and talk about what matters most: the gameplay. And honestly? It’s awesome.

Right out of the gate, the camera settings threw me for a loop. The default is this so-called “Cinematic” over-the-shoulder view, just like the first game, and honestly, it’s not great. Trust me, switch to “Action” mode as soon as you can. You can actually see what’s going on around you, instead of catching the action after it’s already happened.

Then you’ve got your standard light and heavy attacks, ranged combat, and abilities, as well as passive and actionable use items. Followed by multi-use healing items that level up over time and your “Beacons,” which are basically bonfire checkpoints, with that added twist that they must be cleansed via a minidungeon completion to grant special items.

But let’s get to the real star of Mortal Shell 2: the Shells!

If you’re unfamiliar, Mortal Shell is based on the concept of the main character being what is called “The Harbinger”, who has the innate ability to use formerly alive warriors known as “Shells”. These Shells grant the Harbinger unique passive and active abilities for the player to make use of.

Right now, my favorite Shell is Proxima. She zaps enemies from a distance with lightning, yanking lighter foes straight to her or launching herself at the big guys. The lightning staggers them, so you can pile on the hits or make a quick getaway if things get too crowded in the area.

Her passive gives you a shot at cutting incoming damage in half, whether it’s ranged or melee. You can level up both her passives and actives, stacking even more damage resistance or getting extra chances to fry enemies with lightning.

Then you’ve got Shells like Tiel, who turns you invisible after a perfect dodge, or Gragu, who ditches the usual healing item for a “Resonant Heart” that only charges up as you rack up kills. More kills mean more health, easy for the good!

And that’s just scratching the surface. There are eight Shells in total and sixteen weapons, both melee and ranged, and you can mix and match however you want. Most players will have different experiences even with the same Shell, since you can upgrade different abilities with Shell Points or Glimpse and really make each Shell your own.

The list of active and passive abilities further expands these combination opportunities, with things like poison resistance or spectral fighters that summon alongside the player based on a percentage chance of every swing. There’s a lot packed into a $50 game!

With that said, there are some minor "oops, that's not right" moments that occur. Like, I often found my perfect parries failing because the enemy would completely miss my character entirely, and not because I was backing away, but because the enemy just didn't connect.

For fights with foes you need to counter, this can become somewhat frustrating. Other similar issues can crop up during your time, where enemies will fly off in weird directions.

Then there are some weird animations that leave the player open to attack. Like a standard finisher, or some other entangled animation with one enemy can leave you open to an attack from another. Making use of the standard finisher/damage mechanic is somewhat problematic at times. Not always.

Mortal Shell 2: World Design and Story

One of my biggest gripes with the original was the map design. For the Dark Souls diehards out there, the leap from Mortal Shell 1 to 2 feels a lot like going from Dark Souls 2 to Dark Souls 3. If you know, you know. If not, just trust me: it’s a massive upgrade.

For the unknowing, the original Mortal Shell’s map design felt overly complex, if only for the sake of being so. It lacked defining characteristics or landmarks and needlessly pushed backtracking, which made it very easy to get lost.

This time, the devs clearly listened. The new map gave me that same rush I felt exploring Dark Souls 3 for the first time. There’s a central hub, but most of the world is split into huge, sprawling areas you can get lost in for hours with no random teleport zones breaking up the flow.

More than once, I’d pick a direction and end up wandering through hidden side areas I had no plan to visit. Maybe a well, a tucked-away passage, or some secret spot with a new weapon or Shell. The world opens up in a way that feels planned, not just random happenstance like before.

I know I said in the beginning that Mortal Shell 2 wasn’t a knock-off of Dark Souls, and I stand by that, but there are some definite nods, or moments where the developers are paying homage to the greats of FromSoftware.

Small spoiler alert, but there’s an entire area dedicated to poison-based creatures. Sure, I didn’t have to wade through endless puddles, ponds, and literal lakes of Scarlet Rot, but we all know there’s one studio that invented these horrible areas.

Then, there’s the main nurturing character or NPC that guides you, and that’s none other than a rather largely endowed woman who looks awkwardly close to Gwynevere from Dark Souls 1. Like, if you’re not making a double-take for the first reason I listed, you’ll do it only because it's a definite Dark Souls mention.

A story that makes sense?

The story is a little more straightforward than your usual Soulslike, but only just. Don’t expect to have everything spelled out for you.

You’re the Harbinger, a being of existence born from one of the uncorrupted Ova or unborn eggs of the Undermother. Your mission is to reclaim the Undermother’s stolen Ova from the creatures, fanatics, and forces that now guard or corrupt them in the world.

After the first game, the Undermother’s corpse crashed down into the world. People started worshipping her remains, and for a while, things were actually peaceful.

That peace didn’t last. Corruption leaked out of her corpse, madness spread, and most of the Ova got tainted or lost. War broke out, temples fell, and the world filled up with mutants, raiders, and cultists.

Most of the Undermother’s unborn kids didn’t make it. You, the Harbinger, are one of the rare survivors, ready to set things right in a world gone sideways.

Most of this story you’ll have to piece together from clues, item descriptions, and cryptic NPC chats. If you’re like me, you’ll probably end up reading someone else’s summary just to make sense of it all, just like I did with Dark Souls and Elden Ring.

I’m someone who can only focus on so many things at once, and for me, I was always more worried about checking every corner for leveling items, shells, weapons, and other trinkets. Even this style of player will be hard-pressed to avoid all story!

After powering up Shells, a total of five memories can be unlocked for each, granting the player a glance into what led to their demise. Whether it be betrayal, self-infliction, or some other circumstance. Each is easily followed along with as the player gains access to more Shell Points and Glimpse.

Mortal Shell 2: Performance and graphics

Our copy of Mortal Shell 2 was reviewed via Steam, using two of my personal computers. A desktop with an RTX 5080, Ryzen 9800X3D, and 64GB of DDR5 RAM at 4K resolution and a gaming laptop with a mobile 4060 at 1080p.

For the most part, I had absolutely amazing performance at either High or Ultra settings, both with and without ray tracing enabled. Very infrequently, I’d notice some frame rate drops, but they were so rare for me that I think I could count them on a single hand.

Given the number of terribly performing games that I’ve reviewed over the last couple of years, it’s so refreshing to get a title that just plays the way it's supposed to while not having to worry about fiddling with one or two overly problematic settings.

I did run into some issues here and there with bugs. Most notably, issues with hit detection or the occasional tutorial message stuck on my screen.

Even more surprising is that Mortal Shell 2 runs on Unreal Engine 5! Something I wasn’t even sure of until I went searching through interviews and game information on the developers' website. Maybe now that Unreal Engine 6 has been announced, developers have finally figured out how to use 5 correctly; yay!

The payoff is that the look and feel of Mortal Shell 2 are awe-inspiring, to the point I legitimately felt irritated there wasn’t a camera mode to take advantage of for screenshots. Instead, many of the shots you’ll see throughout this review are either pulled from in-game cutscenes or cropped from stills I took roaming the area.

Should you buy Mortal Shell 2?

There’s a ton more I could say about this game, but I’d rather not have my editor hunt me down, and honestly, I don’t want to spoil the fun for anyone.

Mortal Shell 2 caught me off guard, not just because it beat my low expectations but because it’s actually a blast to play. Sure, the opening tutorial is the usual slow crawl, but after that, I kept getting that jolt of excitement every time I hit a new area or tackled a fresh Beacon.

I generally don’t feel that way when it comes to Soulslike games from other studios not named Fromsoftware, and it’s not because those titles are bad by any stretch, but they infrequently hold the same level of magic.

Mortal Shell 2 joins the elite group of exceptions to this rule, one that I think I won’t stand alone on. I don’t think I’ll stand alone, and I’m very convinced of putting my stamp of approval on it.

Anyone who enjoys the genre should absolutely look to pick Mortal Shell 2 up. Even with the issues listed, these are far outpaced by the strengths of the game, making an overall sum total that's vast and terrific (many of which I imagine will be largely patched).

I have the strangest feeling that Mortal Shell has a real shot at becoming a grander franchise over time, with a crowd of folks that will be clamoring for yet a third entry. I know I won’t make the same mistake I did before. At this point, I expect more games to come. And yes, I said games.

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We're just a week away from the release of S.T.A.L.K.E.R. 2: Hope of Despair on August 20, 2026, the first DLC expansion for the diehard, open-world survival-adventure game S.T.A.L.K.E.R. 2: Heart of Chornobyl, releasing for Xbox Series X|S, PlayStation 5, and PC via GOG, Epic Games Store, and Steam.

On top of that, STALKER 2 will also be getting a free 2.0 update for the base game on the same day the Hope of Despair DLC expansion launches.

It is appropriately titled "Back to the Zone," as it features a ton of visual and gameplay improvements and additions to entice players back to the game, all showcased through a new gameplay trailer and blog post on the official Stalker 2 website.

As seen in the trailer, the Back to the Zone update will feature a ton of overhauled graphics and lighting effects in the environments to make them visually appealing and immersive while maintaining the post-apocalyptic tone of the Zone's setting.

The game's immersion will be heightened further in this update with improvements to the game's unique A-Life system, which will include more behaviour patterns and places for NPCs and monsters to interact in.

These include, but are not limited to: more NPC resting spots at campfires or bus stops, more contested battlefields between Stalkers and mutants, and Stalkers looting the dead even when you're not seeing it happen.

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On the gameplay side of things, Stalker 2's 2.0 update will introduce a "Custom Rules" difficulty mode where you can tweak the game's various settings to your preferred sense of challenge, three types of binoculars so you can scout enemies' positions, and several new weapons hidden throughout the Zone, such as the Arev (AR), GP3A (DMR), SKP (DMR), and Fora-230 (SMG), each with a unique variant to find.

Additionally, there's a new Fog mechanic to obscure your and the enemy's vision and hearing (which will open more opportunities for stealth), a PDA to keep track of your progress, new monsters to fight, and tons of new narrative scripting, audio, and localization tools for STALKER 2's modding tool called the Zone Kit.

Overall, there are tons of changes coming to STALKER 2 from just the free 2.0 update alone to make the game feel alive (and scary) to play while including several new toys to make it more fun to play.

But will it entice new and returning players to S.T.A.L.K.E.R. 2: Heart of Chornobyl in conjunction with the Hope of Despair DLC?

If you have any thoughts on the matter, please let us know through the poll below, the comments section, or our Reddit page.

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Update August 14, 3.45 pm ET: Activision has since put out a further update reminding PC players that they will need to have TPM 2.0 and Secure Boot enabled on their PCs to play the Modern Warfare 4 beta. This is the current requirement for Black Ops 7, so it isn't new, but it's a reminder if you haven't been playing this year that without it you can't take part.

Mark your calendars, Call of Duty fans, because Infinity Ward and Activision have revealed the content of Call of Duty: Modern Warfare 4's upcoming beta tests, set to commence over the following weekends.

These beta tests will feature sneak peeks at the game's multiplayer modes, the Battle Royal-like Warzone mode, and an exclusive single-player campaign mission.

Here are the full details on these beta tests and when you can expect to play them.

The first early access beta test will run from August 21, 2026, to August 25, 2026, for those who pre-ordered the game on Xbox Series X|S, PlayStation 5, Xbox on PC, Steam, and Battle.net.

Its content will include an exclusive campaign mission called "Entrenched", several multiplayer maps, and several multiplayer game modes like Team Deathmatch, Domination, Hardpoint, Kill Confirmed, Inflation, Search & Destroy, 10v10 & 3v3, and Mobility Course.

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On a side note, the first beta test begins on the same day as Activision's Call of Duty Next event on August 21, 2026, which will showcase various gameplay aspects of Call of Duty: Modern Warfare 4, such as 6v6 PVP, the first look at Zodiac, Kill Block gameplay, and much more while giving away free beta codes to players who tune in to the event.

Call of Duty: Modern Warfare 4's second beta test will run from August 28, 2026, to September 1, 2026, and it will be open to the general public to play on the Xbox Series X|S, PlayStation 5, Xbox on PC, Steam, Battle.net, and Nintendo Switch 2 versions of the game.

It will include all the content of the first beta test, with the addition of the Warzone game mode, a new Warzone map, and several new Ground War maps.

So, if you need to get some practice with your aim and are hungry to play Call of Duty: Modern Warfare 4 before the full version launches on October 23, 2026, for all the aforementioned platforms, these beta tests will be the perfect time to do it.

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Console war. Console war never changes. Or well, maybe a little bit.

You all know the story. Xbox ran away from exclusives a couple of years ago to boost margins, but all it ended up doing was hollowing out their own platform, with first and third-party sales declines while giving away its market share to competitors without so much as a fight.

It started with Sea of Thieves, and ended with Halo itself going to PlayStation, robbing Xbox of, potentially, a reason to exist at all. "If PlayStation has its own exclusives and Xbox's exclusives, why ever buy an Xbox?" Some might ask.

Fast forward to 2026, and things are changing. Incoming Xbox CEO Asha Sharma is intent on giving Xbox exclusives again, starting with Gears of War: E-Day and Clockwork Revolution next year.

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But, at the same time, you can't help but wonder "why" on paper.

This week, Xbox CEO Asha Sharma teased The Elder Scrolls 6, which seems to be subtitled "Sentinel."

Following the tease, debate began spreading across social media about whether or not Microsoft should truly go all in and bring the big guns: for Xbox Helix, would it move the needle if Elder Scrolls 6 or Fallout 5 were console exclusive, or would Xbox simply be cutting its nose off to spite its face?

The argument against Xbox console exclusivity

It feels like the era of hardware subsidization is pretty much over. As the bulk of playtime hours go to games like Fortnite, which have very fickle monetization per user, platform holders are increasingly looking to the point of purchase itself to make money. Sony itself said it will no longer sell PlayStation hardware at a loss, and it seems Xbox is following suit.

In that world, it potentially makes far more sense to meet players where they are. With console hardware more expensive than ever, players are less likely than ever to switch platform or buy multiple consoles potentially.

It's pretty simple, really. By skipping PS5 or Nintendo Switch 2 and taking Elder Scrolls 6 Xbox console exclusive, you're potentially going to be harming the very expensive game's margins and profitability, at least on paper. It's not as if PlayStation's audience would deliver a 100% attach rate for Elder Scrolls 6 or Fallout 5, but there are many millions of potential customers who would potentially simply skip the game were it not available on their platform of choice.

Is turning The Elder Scrolls 6 and things like Fallout 5 into a "loss leader" something 2026 Xbox and Microsoft is willing to do?

The argument for Xbox console exclusivity

Microsoft and others don't really really release data on how many users own both an Xbox Series X|S and a PS5, but some analysts suggest it could be up to 50%. Indeed, I've been told that a lot of the users Xbox sees across its network show up on different platforms, suggesting that even if Elder Scrolls 6 were exclusive, it would still have a pretty huge addressable audience to the tune of tens of millions even without PlayStation.

If Microsoft were to take Elder Scrolls 6 exclusive, it would send a very strong signal that Xbox is truly in it to win it (particularly if Elder Scrolls 6 is actually very good) and, the sales would come in strong regardless. If users can't buy it on PS5, they'd probably either grab it via Steam (which I can't see Xbox ditching any time soon) or their dusty Xbox Series X|S they haven't had any reason to turn on for several years.

By the time The Elder Scrolls 6 launches, Xbox will also have a range of new Cloud Gaming initiatives in the market place too. Direct-to-WiFi Xbox controllers will be available, shaving a non-trivial amount of latency off proceedings. Elder Scrolls 6 exclusivity might not just be a "loss leader" for Xbox Helix or Xbox Series X|S in that context, it could also be a marketing vehicle for "buy-to-own" Xbox Cloud Gaming, which I presume Xbox will be looking to market more seriously by the time the game launches.

If sales could become an issue under a console exclusivity package, Xbox could also take the step of keeping it off Xbox Game Pass Ultimate for a time, similar to what we're seeing with Call of Duty — although I imagine such a move would be pretty unpopular.

Poll: What do YOU think?

I can see both sides of the argument. Xbox Helix would have a massive boost in visibility with a tentpole exclusive like The Elder Scrolls 6 for its launch, but I'm not sure if The Elder Scrolls alone would be enough to convince users to drop a potential $1000 dollars on a video game console in this economy.

Xbox would need a steady cadence of high quality exclusives, and a visible strategy that says "if you buy this; you can expect more of these types of exclusives." The sorta "one offs" here and there with Gears of War: E-Day and Clockwork Revolution aren't going to cut it, I really feel like they need to be all-in and have all studios shoulder the burden of such a strategy, that would take years potentially to ferment.

The other argument is pretty simple: Xbox might end up just harming its studios' potential by limiting access arbitrarily. It's something CEO Satya Nadella touched on in court while explaining to lawmakers why Call of Duty would never go exclusive: the business model revolves around blanket market access.

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The Elder Scrolls is arguably not like that, though ... nor are single player games in general. Xbox, PC, and Cloud Gaming should give Elder Scrolls the addressable audience to do gangbusters regardless. I heard Starfield was profitable before hitting PlayStation, for example, and so was Avowed. But is "profitable" enough for Microsoft shareholders, who are already likely annoyed by Xbox's drag on Microsoft's overall profit margin?

I think Xbox needs exclusive games to survive, and I think The Elder Scrolls 6 going exclusive would give the platform its best chance to make up lost ground over the previous two generations. I think a healthier Xbox is better for the industry, better for third-party developers, and better for Xbox customers in general. It's just unclear whether making The Elder Scrolls 6 exclusive actually would lead to a healthier Xbox ... since it would need to be part of a wider, and more visible strategy that I'm not sure Microsoft has the competitive spirit for in 2026.

At the end of the day: what would PlayStation or Nintendo do if they owned The Elder Scrolls 6 or Fallout 5? I think we all know the answer ...

But, what do YOU think? Vote in our poll above, let us know your thoughts in the comments.

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Sim Update 6 for Microsoft Flight Simulator 2024 was first revealed a couple of months back at the FlightSimExpo. Since then it's had some beta testing, and now, it's ready for prime time.

Sim Update 6 for Microsoft Flight Simulator 2024 is rolling out now, and it's not a huge download, coming in under 4GB on my PC.

There are a few headline features, a ridiculously long list of tweaks and fixes, and something that hasn't made the cut from the beta period.

First up is the bad news, and that's the rolling back from the planned upgrade to FSR 4 with this update. There are some compatibility issues with FSR 4 Frame Gen that the team is currently working through alongside AMD. The FSR version will still be shown, though, according to your GPU's software.

As such, it's back to FSR 3, the same as was present in Sim Update 5.1. There are no such issues for NVIDIA users, though, and DLSS 4.5 has been added as the new default upscaler with Dynamic Frame Generation with in-game VSync support.

One of the big new features is the return of Bush Trips, brought over to Flight Simulator 2024 from Flight Simulator 2020. They're all here, and you'll find them in the Activities menu in the game. Guided tours are now also found here.

There are a host of lighting improvements added with Sim Update 6, too, as well as some bits just for developers, and career mode gets a little attention as well. I've previously covered the headline features coming with Microsoft Flight Simulator 2024 Sim Update 6, so check that out for a summary.

Otherwise, you can dive into the extensive patch notes, but be warned, they'll take longer to read than the update will to install. Definitely grab a beverage!

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If there are two features I'll turn off in every single video game in which they are present, it would be chromatic aberration and film grain.

I get why it exists, but I wish it didn't because it never gives the look (in my opinion anyway) that you think the developers are aiming for.

So, not being able to turn either off in Halo: Campaign Evolved, a shiny futuristic space epic, seems like a misstep.

On PC there were ways around it, but now that won't be necessary, as the next update will allow both to be disabled. As it should have been from the start.

Such is my dislike for both of these graphical 'features' that I haven't even opened Halo: Campaign Evolved yet. I shouldn't need to use config files to turn off something this basic.

The updates to Sgt. Johnson sound pretty important, too, if progression being blocked has been an issue until now.

There isn't much to go on besides the X post shown above, with the update scheduled for some time next week. Full patch notes will be available at that time, and these are just the "highlights," so there'll be a bunch of lower-level stuff as well, it seems.

Crucially, it looks like you'll need to make sure you're at a save point at the end of a mission before the update drops, or else you'll lose some of your progress. The post specifically only mentions mid-mission save points, so everything else will be fine.

In our full review of Halo: Campaign Evolved, my colleague Brendan Lowry said:

"Campaign Evolved ultimately delivers an incredible reimagining of the original Halo, enhancing it with jaw-dropping audiovisual presentation, carefully considered gameplay and level additions, an enjoyable new three-mission story, and a suite of over three dozen collectible Skulls for tons of replay value."

It's not perfect, sure, and it literally is just the campaign with some new missions added, but overall it's pretty well executed. The next update at least will fix some of the irritations.

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Scrolling through social media recently, I stumbled on a Reel (and I'm sorry; I forgot to save it, so my apologies to its creator for not being able to link out) where a dad was explaining how he cancelled Disney+ and saved money in the long run.

But he did it by buying an Xbox One S.

When it first released, one of the killer features beyond being a slimmed-down, brick-less Xbox One was its 4K UHD Blu-Ray drive. We take it for granted now, but the Xbox One S was the first in the family to get that hardware. For $300 you got the ability to play 4K Blu-ray discs, significantly less expensive than most of the dedicated players out there.

Being an affordable 4K Blu-ray player is still one of the strengths of the Xbox One S; only now, it's generally even cheaper. Though yes, let's acknowledge before anyone says it in the comments, obviously you don't get Dolby Vision.

Seeing the aforementioned Reel made the penny drop. It could actually be a viable way to break free of the endless cycle of subscribing to streaming services and buying digital content that we now know for sure could disappear at any time.

The Xbox One S and physical media has always been a winner

The crux of the Reel that inspired this post was that buying a used Xbox One S, plus picking up their kids' favorite movies used on Blu-ray, was cheaper than a year of the Disney+ plan they were paying for.

Obviously on Disney+ there's a ton of content, but the value is only there if you're consuming it. It'd be like paying for Xbox Game Pass for a full year and playing only one game; it doesn't make sense. In this case, most of the content was never being watched, so it worked out cheaper to cancel and just buy the discs.

But Disney+ is just one service. We went from a world where breaking free of cable TV was exciting and a way to save money by only watching what we wanted without the guff. But now we're in a worse position, because the content is locked behind so many paywalls that by the time you add it all up, you may as well have just had cable.

It's frightening, frankly. Looking at my own bills, I'm subscribed to Netflix, Disney+, TNT Sports on HBO Max, Apple TV+, and Amazon Prime Video, though the latter I don't really count because Prime is worth it just for the free shipping.

But counting the first five, I'm paying at least what I used to pay for my premium TV package back before I became a 'cordcutter.' And I don't even get everything I want when I want it!

I've always been a fan of physical media. I love my games; I love my movies. Hell, I still have a stack of music cassettes and a Walkman. Today's generation may be finding this stuff for the first time; some of us never let it go.

But depending on how much you spend versus how much you actually watch, maybe it does make sense to buy the physical versions of the stuff you actually care about? At least it won't disappear.

Not owning your content isn't really the answer

If you already have an old Xbox One S spare, or even a One X or your current Xbox Series X (sorry, Series S owners), you're already in a prime position. If you don't, you can pick a used One S up right now at least fairly cheaply. Though as ever, location will have an effect on that.

Xbox also had a leg up on PlayStation, remarkably, which didn't have 4K Blu-ray capabilities on any of the PS4 lineup, despite being able to play games at 4K on the PS4 Pro.

It's a prudent thing to think of, though. There's a whole community out here of folks who like to digitize their own media with a Plex or Jellyfin server, but if you have the discs, this is far simpler.

The argument has been brought to light recently by Sony. First by removing video content from its customers' libraries that they had paid for, and then by deciding to end physical game production from 2028. When you buy digital, you have no ownership of your content.

When you buy a piece of digital content, you're buying a license to consume it. But only for as long as you're allowed to, which apparently isn't forever. At least when it's a physical item in your possession, you have the control.

I'm going to deploy my Xbox One S again

I won't be cancelling the various streaming services I subscribe to anytime soon, more's the pity. When you've got two kids who watch most of them regularly, familial bliss is the price to pay for the, well, price. That and I do enjoy some of the content on them you can't get anywhere else.

But if it's a piece of media I care about and want to truly enjoy for years to come, I already lean towards buying a Blu-ray. The quality is better, it's mine, and I can digitize all of my Blu-Ray discs on my PC and toss a copy onto my NAS.

I have been using my Xbox Series X, but I don't generally keep that in the front room attached to my 4K TV. I'd actually forgotten until thinking about this post that I still have my old Xbox One S stashed away. So it's going to be coming out of retirement to live a second life as a full-time movie box. I think I still even have a PDP Xbox remote control somewhere.

But whether it's to free yourself of the streaming services, throw a middle finger up to the digital future being forced upon us, or you just like to own your stuff, the Xbox One S is still a great value way to enjoy high-quality content. Owned, not rented.

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It's that time in Call of Duty: Black Ops 7's seasonal rotation for a Reloaded refresh, and once again the big deal for many is Zombies.

Black Ops 7 Zombies is reaching its narrative conclusion as the Rex Infernus map is open for business when Season 05 Reloaded goes live on August 20 at 9am Pacific.

"As reality stands on the cusp of destruction, the crew face their ultimate challenge. Cleanse the Shadowsmith places of power, find the Warden’s inner sanctum, and put an end to his loathsome existence."

As ever, completing the main quest will bring forth your rewards. If you get it done before Directed Mode launches, you'll get a unique Calling Card that will become unavailable when it does.

Other rewards include the "Bloodthorn" Wonder Weapon skin, calling cards, and 10,000 XP. Collect all the Intel to get another Calling Card and 10,000 XP.

Widow's Wine is also back, complete with new major and minor augments to research, and a new GobbleGum, "Fully Packed," will upgrade your weapon to Pack-a-Punch level 3. So that's definitely going to come in handy.

Two new Ultra-Rarity weapons are being added to the mystery box, too, with the TR2 marksman rifle and the Olympia shotgun joining the ranks of Zombies-based gambling.

It's bittersweet for Zombies players, as this is it. The last new full map content that we're going to see for some time. Modern Warfare 4 doesn't have a Zombies mode, so for now, that's all she wrote.

Naturally Season 05 Reloaded covers all aspects of the game, not just Zombies. The PvE extraction Endgame is about to reach the end of its free-to-play run, as it'll return to being a Black Ops 7-owned (and Game Pass) exclusive when Season 05 comes to a close.

During that time, though, the Burn Run Assignment will continue to appear across Avalon. Keep tabs on your map for the skull icon for a little Forza racing in Call of Duty action. The maximum combat rating you need for any of these is only 45, too, so they're pretty accessible.

Multiplayer will see a new pinball-themed Turbo Tilt map based on Nuketown history, complete with interactive bumpers and ramps. Freerun: Descent is getting a new course, and Cranked Moshpit is back if you like a bit of that.

As for Warzone, Loaded Resurgence will be coming back for another go around. It does also get some new gameplay features, though, with the Quickdrop Kit, which reduces redeploy time in Resurgence, and a Special Delivery Drone you can shoot down in all modes to earn yourself some weapon camos.

Call of Duty: Black Ops 7 Season 05 Reloaded goes live on August 20 at 9am Pacific.

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2023 saw the release of a game that not many expected to be anything special, yet proved its naysayers wrong at every turn: Hogwarts Legacy.

This open-world RPG shocked the world by perfectly capturing the immersive gameplay feeling of being a wizard in the Harry Potter universe while becoming one of the best-selling games of all time by selling over 40 million copies (it even outsold Call of Duty: Modern Warfare 2 in the first week it came out by selling over 12 million copies).

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If you're a fan of Hogwarts Legacy and wanted this unexpected gem to grow into a franchise in itself, you're in luck, as Warner Bros. confirmed in a letter to shareholders that development for Hogwarts Legacy 2 is underway.

This statement comes from page 4 of the shareholder letter, in which Warner Bros. says, and I quote, "We expect Games to more meaningfully contribute to segment profitability going forward as our pipeline expands, including the second installment of Hogwarts Legacy."

Windows Central's take

Now, since this was a casual offhand comment made by Warner Bros., it'll be a LONG time before we see any official gameplay trailer for Hogwarts Legacy 2.

So I'm guessing we'll see Hogwarts Legacy 2's official reveal sometime in either 2027 or 2028 at either the Games Awards or Summer Games Fest events.

Either way, Harry Potter fans are definitely buzzing with excitement at this news. I know my former colleague, Rebecca Spear, certainly should be, as she gave Hogwarts Legacy a near-perfect review score of 4.5 stars, stating, "Like many of you, I've longed to explore the wizarding world ever since I read the Harry Potter books as a child. I'm pleased to say that Avalanche Software's game, Hogwarts Legacy, fulfills this fantasy better than any game before it."

As for me, I wasn't the biggest Harry Potter fan as a kid, as I was more inclined towards Lord of the Rings and Warhammer 40,000 (and still am for the latter). However, with the sequel on the horizon and with me being in a magical mood lately, I might give the first Hogwarts Legacy game a shot to see how this game earned the admiration of so many players worldwide.

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If you're a Warhammer 40,000 fan like me who's been looking forward to playing Warhammer 40,000: Dawn of War IV after seeing its exciting gameplay deep dive and Necron showcase trailer, you'll have to wait a little longer.

On August 12, 2026, Warhammer 40,000: Dawn of War IV's game director, Jan Theysen, announced that the game's original release date of September 16, 2026, has been delayed to December 3, 2026.

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The reason the developers at KING Art did this is so they'll have more time to polish the game ready for launch, make changes based on player feedback, and squash as many bugs as possible so they don't ruin your experience playing it.

In the meantime, the developers will be sharing more gameplay trailers and deep dives into the game's mechanics and playable factions.

Windows Central's take

I'm personally okay with the developers delaying the game so they can polish it in time for release.

We've seen way too many high-profile games released in horribly unoptimized and buggy states at launch that we had to wait months (or in some extreme cases, years) for their developers to finally fix.

I'd hate to see Warhammer 40,000: Dawn of War IV get review-bombed as Monster Hunter Wilds did at launch for having a bad launch state, especially when fans have been waiting for a new entry in the Dawn of War series for nearly a decade.

Hopefully, extra development time will help the developers give Warhammer 40,000: Dawn of War IV the best possible launch state so players will stick around to enjoy it and play its Year-1 post-launch content, which includes new game modes, extra campaign expansions and maps, and a new playable faction.

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Euro Truck Simulator 2 is, outside of the well-known titles such as GTA 6, one of the most hyped upcoming console releases. We know it's coming to Xbox Series X|S and PS5, but other than that, nothing.

The lack of information is only adding to the build-up, but now, finally, there's a strong chance it might be ready for people to see for the first time.

Its maker, SCS Software, has announced it is going to Tokyo Game Show for the first time. While it means we're probably not hearing anything at Gamescom a few weeks prior, SCS is hoping to have a playable console version of Euro Truck Simulator 2 on the Tokyo Game Show floor.

"We're also doing everything we can to bring playable demonstrations of our upcoming Road Trip and Coaches projects to Tokyo Game Show, along with a PlayStation 5 version of Euro Truck Simulator 2. While we're not quite ready to make any promises, our teams are working hard behind the scenes, and we hope to give visitors an early hands-on look at these exciting new experiences."

Alright, so first up, it's the PS5 version of Euro Truck Simulator 2. Which, given it's in Tokyo, makes a lot of sense. Xbox will also be at the show, but let's face it, PS5 is the clear king in Japan of the two. There will be more players at that event that are on PS5 than on Xbox.

It's also not a guarantee, but the fact that SCS has even mentioned it at all must mean they're somewhat confident of making it stick. The other content they're hoping to show off we've at least already seen to some degree. The console version is the unicorn right now.

There are so many questions players have over how the experience will translate to console. It has to be flawless on a controller, for example, and I'm confident enough it will be. I play both Euro Truck Simulator 2 and American Truck Simulator on my Steam Deck regularly with its built-in gamepad.

But a PC game supporting a controller is not the same as a truly controller-native console experience. It's also great news for the development of the game if SCS believes it's in a good enough state to allow members of the public to take a look.

What it very much isn't, though, is any confirmation of imminent release. For one, it's only one of the two games. American Truck Simulator isn't mentioned. Is there a chance we'll hear more about the desired timeframe? Possibly.

Either way, for console players who are waiting impatiently for the insanely popular truck simulators to finally break free of their PC exclusivity, this is the best piece of news since they were first revealed.

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